Become An Improv Wizard

Intro

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Section 1: Basic Music Theory

Section 2: Concept 1: Sing What You Play

Section 2: Concept 2: The Feedback Loop

Section 2: Concept 3: Dropping the Hand

Section 2: Concept 4: Alternate Modality "Feeling"

Section 2: Concept 5: Alternate Modality "Hearing"

Section 2: Concept 6: Rhythmic Pulse

Section 2: Concept 7: Mindless Playing

Section 2: Concept 8: Combining Modalities

Section 2: Concept 9: Inching on A String

Section 2: Concept 10: Warming Up

Section 2: Concept 11: Relative vs Absolute Pitch

Section 2: Concept 12: Rhythmic vs Offbeat

Section 2: Concept 13: Where To Go

Section 2: Concept 14: Practicing in Every Position

Section 2: Concept 16: Vibrato and Feel

Section 2: Concept 17: More on the In & Out Technique

Section 2: Concept 18: Picking Hand Response

Section 2: Concept 19: Picking Hand Response

Section 2: Concept 20: Beginnings & Endings of Phrases

Section 2: Concept 21: Steady Notes

Section 2: Concept 22: Long Notes

Section 2: Concept 23: Triplets

Section 2: Concept 24: Sliding To A New String

Section 2: Concept 25: 3 Note Per String Pentatonics

Section 2: Concept 26: Single String Soloing

Section 2: Concept 27: Near Single String Soloing

Section 2: Concept 28: "Back Into It"

Section 2: Concept 29: Pauses As a Rhythmic Device

Section 2: Concept 30: Playing Tight & Clean

Section 2: Concept 31: Learning The Backing Track Chords

Section 2: Concept 32: Letting Different Notes Ring Out Over Track

Section 2: Concept 33: More Single String Soloing

Section 2: Concept 34: Soloing With Foot Tap

Section 2: Concept 35: Singing Scales Over a Chord

Section 2: Concept 36: Playing In The Pocket

Section 2: Concept 37: Rhythm As Feel

Section 2: Concept 38: The Train Concept

Section 2: Concept 39: The Consistant Gap

Section 2: Concept 40: Slides Aren't Just Ornaments

Section 3: Major Scales

Section 3: Technique

Section 3: Picking Exercise 1

Section 3: Picking Exercise 2

Section 3: Picking Exercise 3

Section 3: Picking Exercise 4

Section 3: Picking Exercise 5

Section 3: Picking Exercise 6

Section 3: Picking Exercise 7

Section 3: Legato Exercise 1

Section 3: Legato Exercise 2

Section 3: Legato Exercise 3

Section 3: Legato Exercise 4

Section 3: Legato Exercise 5

Section 3: Legato Exercise 6

Section 4: Fluidity & Shredding Part 1: Legato Exercises As Shred Ideas

Section 4: Fluidity & Shredding Part 2: No-Tracking Soloing w/ Foot Tapping

Section 4: Fluidity & Shredding Part 3: Up & Down Melodic Technique

Section 4: Fluidity & Shredding Part 4: Rhythmic Variation of Melody

Section 5: Fretboard Knowledge

Section 6: Rhythm & Groove

Guitar Solos: B.B. King Style

Guitar Solos: Blues Shuffle in E

Guitar Solos: Epic Groove

Guitar Solos: Erotic Funky Groove

Guitar Solos: John Mayer Style

Guitar Solos: Latin Groove in G Minor

Guitar Solos: Quiet Groove in C Minor

Guitar Solos: Tranquil Blues in E Minor

Guitar Solos: Warm Groove in D Minor

Guitar Solos: Yummy Funk in A Minor

Outro

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