Hey guys,
Here´s some cool chord voicing for your II V I progressions!
Hope you like it…
And please don´t forget to check out the lastest DVD from Jon!
FAST TRACK GUITAR SYSTEM
Hey, how’s it going guys. My name is John McClennan
and I’m here with guitarcontrol.com. Today what I’d
like to show you is a nice II V voicing that I picked
up from Howard Roberts. Howard Roberts was a monster
jazz guitar player and studio musician. These are
just some real great chord voicings you can use over
a II V I chord progression, which, again, II V I is
one of the most common chord progressions in jazz.
Let’s look at this first chord, B flat minor 11.
So I have the 5th fret, the 8th fret, 6, 6, 9 and
then way up here to 11. And then I’m just barring
straight through with my first finger.
Then I go to an E flat 13 flat 9, which is 6, 5, 6, 5, 8.
And then resolving here to an A flat major 7,
basically, major 9, major 13: 4th fret, 3rd fret,
3rd fret, 4th fret, 3rd fret. A real nice, lush chord.
Which could also be fingered like this or like this.
I do it both ways sometimes.
Again, your first chord B flat minor 11; E flat 13
flat 9; A flat major 13. So just some real nice
chord voicings, and again, be sure to play that up
and down the neck. Here it is on the half-step.
Now for the key of A major. And them move it up
to B flat. And then B major. So just real nice
chord voicings, Howard Roberts.
Be sure to click the link below for the tab and
we’ll catch you in the next lesson. Howard Roberts
II V I. Thanks
Hey, how’s it going guys. My name is John McClennan
and I’m here with guitarcontrol.com. Today what I’d
like to show you is a nice II V voicing that I picked
up from Howard Roberts. Howard Roberts was a monster
jazz guitar player and studio musician. These are
just some real great chord voicings you can use over
a II V I chord progression, which, again, II V I is
one of the most common chord progressions in jazz.
Let’s look at this first chord, B flat minor 11.
So I have the 5th fret, the 8th fret, 6, 6, 9 and
then way up here to 11. And then I’m just barring
straight through with my first finger.
Then I go to an E flat 13 flat 9, which is 6, 5, 6, 5, 8.
And then resolving here to an A flat major 7,
basically, major 9, major 13: 4th fret, 3rd fret,
3rd fret, 4th fret, 3rd fret. A real nice, lush chord.
Which could also be fingered like this or like this.
I do it both ways sometimes.
Again, your first chord B flat minor 11; E flat 13
flat 9; A flat major 13. So just some real nice
chord voicings, and again, be sure to play that up
and down the neck. Here it is on the half-step.
Now for the key of A major. And them move it up
to B flat. And then B major. So just real nice
chord voicings, Howard Roberts.
Be sure to click the link below for the tab and
we’ll catch you in the next lesson. Howard Roberts
II V I. Thanks 
