Introduction

How’s it going everybody? This is Darrin with GuitarControl.com bringing this video lesson and today I want to show you how to play Hard Days Night by The Beatles.

So right now Guitar Control is giving away this really cool free chord chart, there’s a link down in the description where you can get yours. It has every chord you could ever need all neatly compiled on one sheet. It’s in PDF format so you can download it, you can print it off, you can put a copy in your gig bag, put a copy where you practice; so just whatever situation you could have any chord you needed to glance and it’s a free download.

So be sure to click on the link in the description to the tabs and let’s get close up and take a look at this.

Hard Days Night – The Beatles

All right, so first off there’s multiple things that are kind of going on in this song. This starts off we’ve got this first chord here, this is a really interesting sounding chord, it’s a G7 suspended four (Gsus4). So it’s a barre chord unfortunately, so if you’re a beginner this may be the hardest part of the song, but you could really omit this and it isn’t going to make that big of a difference. So I’m going to start off, we’re just going to barre all the way across the third fret across all of the strings. Then we’re going to take our third finger we’re going to put it here on the fifth fret of the A string. So right now it looks like we’re playing a G minor seven, but then we’re going to take our pinky and we’re going to put it down on the fifth fret of the G string. So now it’s three, five, three, five, three, three…

So we hit that one, two, three, and then we rest on four and then it just starts on G. So if you are a beginner and this is really tough to do that and like I said you could totally start off with… you don’t have to do that at the beginning of it. Okay so then from there it’s pretty simple for the most part. The song also has a really easy solo that we’re going to go over as well.

Okay, so for this first part here we’ve got the chords G and then C add nine (Cadd9). So if you just take your regular old G chord here and you move your first and your second finger up a string each so now my first finger is on the second fret of the D string and my second fingers on the third fret of the A string and we don’t play the low E string, that’s Cadd9. And then we’ve got an F over C (F/C) and this is just my kind of a preference. So you could play A full on F barre chord like this if that if that’s comfortable for you, or you can do the really basic F chord shape that you probably already know. How I like to do it is like F/C, so it’s the regular F, but I just have the C in the bass here. So that’s third fret of the A string, third fret of the D string, third finger, fourth finger and then my second finger is on the second fret of the G string and first finger is barring the first and second string…

Then we also have a regular C major chord, a D major chord and that’s all the chords for this first part of the song. All right, so we start off with the G major on here it it’s broke down pretty simple for the most part. It’s quarter notes and eighth notes, so this is like one, two and, and then on the downbeat of three it goes to Cadd9, but you don’t need to really break it up you know… you can kind of just feel it. Once you get to where you can just kind of feel it and wing your own rhythms it’s so much easier to play and sounds lots better too. All right, so that’s on G, down, down, up and we switch to a Cadd9, down, up, down and then to a G down and up. If you wanted to do it that way it’d be like one, two and, three and, four and, so it’s kind of weird that G is coming in on the and of four and then it’s tied to one on the next measure. So you have that eighth note plus a quarter note for beat number one and then two, three, four and… Okay then we switch to the F, whatever version of it you’re gonna do, up… Then to a G and it’s one and, two, three and, four and, and then that also is carries over on to the next measure, one, two and. So it’s a lot easier if you just kind of feel this… now we’re back to Cadd9 again, back to F, G and the next change we go to a C.

So this is where the strumming kind of changes and this is kind of weird to count because it’s quarter note then an eight then a quarter then three eighths; one, two and, three and, four and… So how I think of it is like down, down, up, up, down, up, down, down, up, up, down, up… Then we when we go to this D it’s the same thing, the same strum, and then we go to a G

one, two and, three, to a Cadd9 and four and then on the and of four back to G.

All right, so if you’re looking on your transcription we’re on the first staff of the second page. So if you look back at the very beginning starting on the second measure it has the beginning of the repeat, it’s the double barre with the colon. Now if we look here we’ve got the colon and a double barre so that’s the end of the repeat. So it means we’re going to go back to the second measure and play forward again, but the second time we do it where it has that bracket above that third measure with the number one. That means it’s the first ending. So the second time you play through it you’ll skip that measure and go right on to measure 14 because you can see above it has the bracket with the number two. The basic difference is when we get to this end… it goes right into another verse that second time around… it’s gonna be one and, two, three and, four. And then on the and of four we switch to a B minor (Bm) and this is what I’m going to call the bridge section.

This is the part that Paul McCartney sings and like a lot of Beatles fashion they completely change the feel of the song when he sings it versus when John Lennon sings. They’ll like switch your major chords to minor chords just to have that contrast which I think is really cool. So B minor barre chord unfortunately if you’re a beginner this might be kind of tough, but just do the best you can. So we’re gonna barre our first finger across the first five strings of the second fret and then my second finger is here on the third fret of the B string, my third finger is on the uh excuse me the fourth fret of the D string and my pinkies on the fourth fret of the G string. So we’re hitting that on the and of four and then it’s tied to all of beat one on that next measure; so it’s like and one, two, three and, four, and on the and of four we’re gonna switch to an E minor (Em)… So it goes into back into that same strum that we were doing uh on the C and D on the John Lennon part. So with the Bm to an Em and then on the and of four of that measure back to B minor again and now it’s going to go into that strum that we did on the D and C on the John Lennon part… so same strum still; down, up, up, down, up, to an Em. And then we’re gonna go to a C7; so if you just take your regular C major chord and you take your pinky and you put it down onto so it’s on the third fret of the G string that’s C7. So we got same strum to a D major one, two and, three and, four and, the whole bridge section… Then it just goes back into the same thing, it repeats those parts again.  So it’s easy to put the song together when you have these two sections.

Solo Section

Alright, so now let’s take a look at the guitar solo. So this guitar solo is actually really easy. It’s just one little riff that’s repeated twice. So we’re going to start off here on the third fret of the low E string and you want to use your third finger. So we hit this, it’s a dotted quarter note so it means it’s going to get all of beat one plus the downbeat of two and then we hit it again on the and of two; so one, two and, and then on the downbeat of three we’re going to go to the first fret of the A string, three on the and of three to the third fret, down B to four back to the first fret and then on the four back to three and slide to the fifth fret… All right, so that’s the riff or lick or whatever you want to call it is two measures long and it’s repeated. So once we go through these two measures or excuse me these four measures here you just repeat the whole sequence. Now when we slide up to that five we’re doing it from the and of four and then it is tied to that whole measure. So it’s like one, two and, three and, four and, one, two, three, four… All right, so then the second half of this riff we’re going to keep our third finger here where we’ve got it on the fifth fret of the A string, We’re going to take our first finger we’re going to bring it back here and we’re going to barre so we’re picking up the third fret of the A string and the D string and then we’re going to pick the starting on the A string pick three and hammer to five and then we’re gonna follow that with the third fret on the D string. So how I’m doing this is I pick down pick and hammer and then an upstroke on the D string. So it just repeats you do that one, two, three, four, so you do it four times… Then you’re gonna with your third finger here on the fifth fret you’re gonna pick and slide to the third fret, but you’re going to want to do both of your fingers together. So your first finger is coming down here to the first fret and the reason is because we’re gonna pull that off so we’re gonna pick five, slide to three, pull to one and then end on the third fret of the low E string and that’s measure four and it’s a whole note…

Conclusion

Alright, so there you have it, not too difficult rendition of Hard Day’s Night by The Beatles. So if you like this lesson be sure to give me a thumbs up and leave a comment down below if you have any questions about this or other guitar related topics. If you’ve not already done so please subscribe to the channel and hit that notification bell so you don’t miss any of the content we upload throughout the week. Well that is all I have for you today. Thanks for watching and have a great day.

Introduction

How’s it going everybody? This is Darrin with GuitarControl.com bringing you this video lesson and today I want to show you how to play Tesla’s rendition of Signs by Five Man Electric Band.

So right now Guitar Control is giving away this really cool free chord chart, there’s a link down in the description where you can get yours. It has every chord you could ever need all neatly compiled on one sheet. It’s in PDF format so you can download it, you can print it off, you can put a copy in your gig bag, put a copy where you practice; so just whatever situation you could have any chord you needed to glance and it’s a free download.

So be sure to click the link in the description for the tabs and let’s get close up and take a look at this.

Signs – Tesla

All right, so we’re going to be for the most part just playing a bunch of just basic chords that you probably already know; hopefully you already know. All right, so we start with this D right on the downbeat of one and it’s a quarter note and then on the downbeat of two we strum it again. It’s an eighth note and then on the and of two it’s two sixteenth notes. So we’ve got a total of four strums; long, short, shorter. And then we’re gonna go to the D suspended four (Dsus4) and we hit that right on the downbeat of three, but then we immediately switch back to regular D for the remainder of the measure… right on the downbeat of one of the second measure we go back to the Dsus4, back to the D, so it’s kind of a pattern that just repeats… the very last one there right at the end of the second measure we’ve got just the A and the D string open and then to the second fret of the A string, but the D string is still open and these are like kind of pickup notes into the into the beginning of the verse and then we just drop into a regular C major chord…

All right, so now we’re on the verse… so the vocal start right there and we start with C and it’s just a regular regular open position C major chord; so I’m on the third fret of the A string, second fret of the D string, G string is open, first fret of the B string, high E string and we’re gonna play this starting on the downbeat of one with C. So how I’m doing is I’m just hitting the E, the A, the D and then the G and the B together; one and, two. Then we’re gonna go to a G over B (G/B) and this is really simple. All you have to do is take your middle finger and move it from the second fret of the D string to the second fret of the A string and take your other two fingers off so now you’re going to be playing the same thing, three and four… Then we’ve got a D over A (D/A). So if you just go back to the original D major chord, but now you’re just going to start off by hitting the open A and then the open D, one and two, and then to a G major chord, three and four…

So with that part it shows on the on the transcription you hit the E string and then the A, D and G strings and then the G, B and high E. So when you’re when you’re practicing that don’t put too much stress into like making sure that when you get to this top part that you don’t hit the D string. You know it it’s just not a big deal. All the notes are in the key they’re part of the chord. So over time you’ll refine it, but at first don’t put too much worry on that. All right, so far on the verse we’ve got… Now we’re going to switch to a D again, so this is like one, two… same thing like we did on the intro, it’s a quarter note, then an eighth note, then two 16th notes; so one, two e and, and then to an A major.

So when I do this I’m just using my first finger to barre because you don’t need to worry about hitting the high E string. So I’ve got the A string open and then I’m just barring the second fret of the D, G and B strings… and we hit that and then to a G, same thing… and

then two back to an A major and it’s the same as the timing at the second half of that previous measure with the A; so it’s two sixteenth notes, then an eighth, then four sixteenth notes…

Now as far as that strum and rhythm in there you can really kind of make it your own.

You just kind of want to feel it. I probably don’t play it consistently exactly the same way every time, there’s probably been slight variances. You just kind of want to feel it and you will always get a better performance if you kind of feel it then if you’re really trying to count it unless it’s some kind of a really syncopated rhythm that you need to be doing, especially on an acoustic song it just isn’t necessary to put that much stress. It will make this easy especially if you’re a beginner. Okay then we go to a B minor… so just barring the second fret my first finger the through the A string we don’t use the low E and then I’m on the second or excuse me the third fret of the B string on my second finger, fourth fret of the D string with my third finger, fourth fret of the G string with my fourth finger. Now when you play this you can get all of it or you could omit the high E string. So if you’re having problems with doing barre chords you can just get this shape here and then all you have to do is pick up the note on the A string and it’ll probably already be muting the high E string anyway just simply because of your finger laying down… So here we’re starting with B minor and we’ve got that similar kind of a rhythm thing going here. We’ve got one and, two… so we’ve got on beat number two the last 16th note is tied to the first 16th note of beat three, so it’s like treated like an eighth note. So if you thought of this as like three long, one short, one long, one short, one long, four short, as far as how they ring out, but again if you know the melody of the song like that we’ve talked about in lots of other videos about countertop drumming to get that for this B minor… Okay then we go to a G, so just regular old G major and whether you play it with the D note here on the third fret of the B string or you play it with the B string open. I personally like the way it sounds more with this D in there and I think that’s the way they’re playing it and Tesla’s playing in their version. So that’s the way I’ve got it in here, but if you don’t play G that way, it’s just not that big of a deal. For this with G here we got the same timing that we just had on the B minor then we’re gonna go back to a D and it’s back to this similar timing that we had earlier in the verse. So this is actually exactly the same as a measure five, so it’s back to the D, so long, one, two… and then to an A and on here it’s just… But again you don’t feel free to kind of like spice up that rhythm, especially if you’re playing this completely by yourself. They’re playing it as a whole group, but if you’re playing it by yourself you have a lot of freedom and you can really change up that rhythm and make it to sound more interesting and more fun for you to play as well.

All right, now that brings us to the chorus and for the chorus it’s going to be using the same G, D, A and C that we’ve been using except we have one more chord; we have a C add nine (Cadd9). So Cadd9 has a couple of different ways that you could play it. I’ll show you the way that I like to do it for this particular thing. I just think personally I think it makes it easier. So we’re gonna go from a D to the Cadd9; so if you just take your first finger and you move it down a string so it goes from the second fret of the G string the second fret of the D string and then your middle finger moves down so it’s on the third fret of the A string your ring finger stays where it is. So there’s a couple different ways you can play it, this is just the way they’re doing it. So you could also do it just by taking the regular C shape and putting your pinky down like this. The reason I do it the way that I do it is because after the Cadd9 we’re going to go to a G, so it just makes the transition really simple. So we’re going to go from this D to Cadd9 to G… So that’s the chorus and it starts off with the D; so we’re hitting this as a quarter note and then an eighth note to 16th to note. So the thing that’s different between this and what we’ve been doing is we’ve got the one, two e and, so that second sixteenth note of beat two is actually going to make the change to Cadd9. So it’s coming in kind of on in a weird place, especially if you’re doing it from trying to count it, but it just makes it a lot easier. So when we hit that it is on the last 16th note of beat two, but it’s tied to the first 16th note of beat three… So we hit that and then we hit it three more sixteenth notes and then we’re going to go to a G and that’s on the downbeat of four… Okay, then starting on the second measure we’re back to D. So we start with two 16th notes and then an eighth note… and then on the last 16th note of beat two we switched to a G… So we hitched that to G on the last 16^th note of beat two and then we’ve just got four eighth notes; so three  and four and… then we’re gonna go back to a D… then A same a we did earlier and now to our regular C chord. So the Cadd9 is basically the difference between those two chords is here we’re getting this C here we’re getting a D. So with all of these chord changes sometimes these different voicing’s are just so it carries a chordal melody, like a high melody within the chord or a low melody just depending upon what it is. So when we get to that C we have a whole measure of this; it’s one and, two e and, three e and a, four and. So again much easier if you just kind of feel it out and then it’s the end of a repeat so you play the intro, the verse, the chorus and then you go back and play the intro again, the second verse, the second chorus and then the end of the second chorus it has this little transition here that leads us into the bridge. So we’re at the end and this is kind of like the intro… Now we’ve got this little build up thing that is kind of weird, especially when you’re just playing this by yourself. It really makes it sound cool, at least for me. I find it maybe have of the time I do it sounds cool. So we’ve got the eighth notes, beat number one and beat two are eighth note, two sixteenth note, so one and, two e and, and then on the downbeat of three the first sixteenth note is the strum of that. And then we have an eighth note just a single G third fret of the low E string and we’re gonna hit that twice as eighth note and then a sixteenth note and then we have a sixteenth note rest. And then the next sixteenth note is the fourth fret, so we rest a sixteenth note and go to an A because that’s like… that was okay, it sounds really cool when they do it, but just by yourself it’s not a full sounding in my opinion.

Okay, so the very last thing we’re hitting is that that strumming in A and it’s the last 16th note of beat four and then that brings us into the bridge, which starts on A. So we’re already there. We’ve got one e and, so like an eighth and two sixteenth notes and then an eighth, two sixteenth and the very last 16th note of beat two is tied to the downbeat of beat three so it’s an eighth note. Again, don’t put too much thought into that. Just kind of feel it… We’re going to do this through the whole measure and then the last 16th note we switch to a G… starting on the downbeat of two it’s a G and it’s the same timing again. We’ve got one and, two and, and we go to a D major… The third measure starts off with 16th notes and the last 16th note of beat we switched to an A and then we have two beats, eight sixteenth notes for beats three and four… then back to a G, this is a two four barre so it’s just two beats; one, two, three, four, five… that’s one way you can simplify it, and now to a D… so it’s just like the intro. Okay so then you have the verse, “the sign says come in kneel down and pray”, the church one and it’s a lot softer and the acapella parts, but it’s all just more or less these same parts that we’ve gone over.

Conclusion

All right, there you have it, all the parts to be able to play Signs, Tesla’s version of Signs by Five Man Electric Band, I think it was called originally. So if you like this lesson be sure to give me a thumbs up and leave a comment down below if you have any questions about this or other guitar related topics. If you’ve not already done so please subscribe to the channel and hit that notification bell so you don’t miss any of the content we upload throughout the week. Well that is all I have for you today. Thanks for watching and have a great day.

Introduction

How’s it going everybody? This is Darrin with GuitarControl.com bringing this video lesson. Today we’re going to do a little finger style with Guaranteed by Eddie Vedder.

So right now Guitar Control is giving away this really cool free chord chart, there’s a link down in the description where you can get yours. It has every chord you could ever need all neatly compiled on one sheet. It’s in PDF format so you can download it, you can print it off, you can put a copy in your gig bag, put a copy where you practice; so just whatever situation you could have any chord you needed to glance and it’s a free download.

So be sure to click on the link in the description for the tabs and let’s get close up and take a look.

Guaranteed Chords

Alright so first let’s go over the chords that we’ve got in this. So first we’ve got this G, so if you just take the F, first position F chord, you just move it up a whole step so my third finger is on the fifth fret of the D string, my second finger is on the fourth fret of the G string and my first finger is barring the third fret of the B string and the high E string…

And then we’ve got a B minor, but when we play this we’re not actually playing the A string. So when you all you do is you just slide down a half step and then move your middle finger from the G string to the B string, so it’d be on the third fret, so we’re just getting the top end of that chord. And then we’ve got a G7; so my third finger is on the third fret of the D string and my fourth finger is on the third fret of the B string the G string is open and I’m on the first fret of the high E string with my first finger… And then we’ve got a C over E (C/E). So basically what it is, is C, but we’re not going to play the low note there the C’s, we’re actually our bass note is actually here on the second fret of the D string and that’s why it’s C/E. Then we’ve just got a regular C; so you just put your third finger down for that. And then we’ve got a regular old G major chord and then a D major. D suspended two (Dsus2) so you just lift your middle finger off so the high E string is open. And then a D suspended four (Dsus4) we just take your D and you put down your pinky onto the third fret of the high E string and then we’ve got a D5. So D string is open, second fret of the G string my first finger, third fret of the B string of my second finger and fifth fret of the high E string with my fourth finger.

Guaranteed Picking Pattern

All right so as far as the picking pattern for this goes it’s pretty consistent throughout it. We’re going to start off we’re going to play the high E string and this will change varied on what chord you’re on, but for the first four measures anyway the first four chords and it’s the same. So we’re going to start off we’re going to pluck the D string and the high E string simultaneously on the downbeat of one, so it’s an eighth note, and then on the and of one we start into the 16th note thing; so it’s one and. And then on the and of two we start playing 16th notes so we start with the G string; so one and uh. So the G string then the B string and then to the D string for the downbeat of two one and two E, high E string to the G string and then the B string; so that’s the pattern… So that’s half of the measure and we do it twice, so you’ve got… Okay then we go to the B minor and we do the same thing, twice for the measure, so it’s picking the same strings and everything and the same timing. Then to that G7, same pattern still… and now we’re going to go to that C/E, so still same strings and that’s our first four measures… All right so then starting on measure five we’re just going to go to the regular C chord so we’re coming from the C/E so we’re just going to put our third finger down and now our picking is going to change a little bit. I mean it’s still the same timing, but now our bass note is moved to the A string. So I’m going to pluck the A string and the high E string together on the downbeat of one… B, A, E, G, B… so that’s our pattern here and we do that twice on the measure. And now we’re going to hit both E strings together and then the D and then the G back to the low E, back to the high E, D and G and we do that twice… Now one thing there on that G, the mistake that I personally make the most often is right here. So what will happen is and instead of going D, G, I might go G and B. Now either way you do it it’s going to sound good because those notes are in the chord, they’re in the key, it’s all going to sound good, but it might just sound slightly different if that happens. But anyway it’s just not the end of the world. I just don’t even if I make that mistake I just keep going. Then we go on to measure seven when we go to our regular D chord and now we go back to the original picking so my bass note is back to being on the D string. So this time what’s different is we do that, but we only do it once, so half of the measure. Then we go to Dsus2; so you just lift your middle finger off and do the same picking pattern and this is for beats three and four… And then here on the eighth measure the last measure the progression we start off with the Dsus2 and we do a hammer-on into D. So again I’m doing the D string and the high E string together and then the B and G just like before. Then we go to that Dsus4 and then the D5 and that’s basically the whole thing…

Conclusion

All right, so there you have it, Guaranteed by Eddie Vedder. So if you like this lesson be sure to give me a thumbs up and leave a comment down below if you have any questions about this or other guitar related topics. If you have not already done so please subscribe to the channel and hit that notification bell so you don’t miss any of the content that we upload throughout the week. Well that is all I have for you today. Thanks for watching and have a great day.

Introduction

How’s it going everybody? This is Darrin with GuitarControl.com bringing you this video lesson and today I want to show you how to play the main riff from She Talks To Angels by the Black Crowes. Now this song is actually in open E tuning, but I’m going to show you how to play it in standard tuning because this is the way that I learned how to play it by ear way back when it came out and I just figured it out my ear and didn’t realize that it was in open tuning. Anyhow since then I’ve learned how to play it on open tuning and it’s really not too terribly different and so to me it’s just not that difficult to play it this way.

Right now Guitar Control is giving away a free chord chart and there’s a link down in the description where you can download it. It’s in PDF format you can print it out and have every chord you could ever need on just one page very laid out well and a really great useful tool and it’s free; just click the link in the description.

All right so be sure to click the link in the description for the tabs and let’s get close up and take a look at this.

She Talks To Angels – The Black Crowes

All right so starting off we’ve got this little intro lick melody, whatever you want to call it. So here on the fourth fret of the B string with my first finger and we’re going to pick that and do a hammer-on to the fifth fret and then the high E string open… Then we’re going to come to the fourth fret and we’re gonna slide down to the second fret on the B string and then a pull-off to the open string… and then the open high E string again and then we’re going to go to the G string, first fret first finger, and we’re going to pick that and do a hammer-on to the second fret follow that with the open B and open high E string and then back to the G string second fret, your second finger should still be there… All right so after you do the… back to that second fret, that’s the first measure and then on the second measure we’re going to pick that again and pull-off to the first fret and then follow that with the second fret of the of the D string and then good old E major; the low E string is open, I’m on the second fret of the A string with my second finger and the second fret of the D string with my third finger and the first fret of the G string with my first finger and the B and high E strings are both open… Okay so when we strum this it is on the downbeat of two and it’s a dotted half note so it’s going to be two, three, four and then starting on the third measure it’s almost the same thing as the first, actually it is the same thing as the first measure. So we come back up to the fourth fret of the B string again and pick and slide to fifth fret, open high E string, back to the B string, G string first hammer to second and then on the fourth measure it’s like the second measure was the G string picked the second fret pull-off the first to the second fret of the D string to an E… So after we hit that E and it rings out then we’ve got two strums at the very last two sixteenth notes of beat four and then starting on the next measure it’s one two and then when we go to beat three we have E suspended four (Esus4). We’re going to keep this e major shape but we’re going to take our pinky and we’re going to put it down so it’s on the second fret of the G string and then back off and then back on and then back off, so it’s like… All right so that’s like the first part of the whole thing. Then we’ve got some natural harmonics so just the12th fret of the E, A, D and G strings and then the D G and B strings and then the A, D and G strings… and then we’re going to go back to that same little E to Esus4 riff again. All right so now this is where it starts to get a little bit more difficult. So we’re going to start off here on the second fret of the D string and we’re going to pick that and slide to the fourth fret… so since you’re coming off of this E your third finger is on the second fret of the D string so we’re going to pick that and slide to the fourth fret and then you’re going to take your first finger and put it on to the first fret of the G string to the B string open back to the G string and then you’re going to set your second finger onto the second fret of the D string and your third finger finger onto the second fret of the B string and we’re gonna take your third finger off so the B string is open and then you’re going to have to put your first finger on the second fret of the D string and your third finger on the fourth fret of the D string and you’re going to pick and pull-off back to an E… then that same E to Esus4 riff. Then we’re going to come up here to the fifth fret on the B string we’re going to play the high E string first to this B string at the fifth fret and then we’re just going to move that note on the B string down; so we go from the fifth fret to the fourth fret to the second fret… Then we’re gonna come to the G string first finger on the first fret second and we’re going to pick the second fret pull to the first then our second finger is going to go to the second fret of the D string, back to the G string first fret… back to the second fret of the D string and then the B string open and then that riff again with the E to Esus4 riff… All right so that’s the entire thing, it’s 12 measures long, my recommendation would just be to take a chunk at a time and really try to get them down memorized; it helps a lot with being able to play it if you’re not trying to think of you know what’s coming next.

Conclusion

All right so there you have it, the intro opening riff to She Talks To Angels by The Black Crowes transposed so it can be played in standard tuning. So if you like this lesson be sure to give me a thumbs up and leave a comment down below if you have any questions about this or other guitar related topics. If you’ve not already done so please subscribe to the channel and hit that notification bell so you don’t miss any of the content that we upload throughout the week. Well that is all I’ve got for you today. Thanks for watching and have a great day.