Rock Riffs Made Simple | Guitar Control https://guitarcontrol.com Fri, 06 May 2022 00:52:48 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.4 https://guitarcontrol.com/wp-content/uploads/2020/11/GC_Image_rev-100x100.png Rock Riffs Made Simple | Guitar Control https://guitarcontrol.com 32 32 How to Play Space Trucking’ by Deep Purple https://guitarcontrol.com/rock-riffs-made-simple/deep-purple-space-truckin-lesson/ https://guitarcontrol.com/rock-riffs-made-simple/deep-purple-space-truckin-lesson/#respond Wed, 23 Nov 2016 16:11:09 +0000 https://guitarcontrol.wpmudev.host/?p=17604 How to play Space Truckin’ by Deep Purple

In this Guitar Control video lesson instructor Robert Baker, is going to breakdown this classic songs main riffs and show you how to play How to Play Space Trucking’ by Deep Purple. Robert calls this song “riffapaloza” because it is just such a fun song with so many cool riffs. Ritchie Blackmore kills it as always. Robert is going to cover all the main riffs and dive into the solo that has all kinds of cool licks in it. Ritchie Blackmore just brings so many cool parts to this song. We are also going to cover the keyboard part that happens in the start but on the guitar because it is such a cool riff. There is another part later on in the song where there is another keyboard part, but we are just going to focus on that keyboard section. So let’s break these down.

How to Play Space Trucking' by Deep Purple

Step 1: The Intro

The first riff in our Deep Purple “Space Trucking” lesson starts with some power chords and not a whole lot going on with our strumming hand. All power chords are is just a root and a 5th so we only strum the strings, unless of course you want to thicken up your power chord and add the octave note in, then you would strum the strings. So starting with a G5 power chord on the 6th string 3rd fret with your pointer and if you are doing the two string power chord, place your ring finger or pinky on the 5th string 5th fret, and if you are using the pinky, then of course use your ring finger for the 5th string 5th fret note, and pinky holding down the 4th string 5th fret strumming strings 6, 5, and 4. Strum the G5 once and then immediately slide it up to the A5 on the 6th string, moving everything up two frets. So your pointer is now on the 6th string 5th fret, ring finger on the 5th string 7th fret, and pinky right under your ring finger on the 4th string 7th fret. Strumming down on the G5 and up on the A5.

Then move down a string to the D5 power chord placing your pointer finger on the 5th string 5th fret, and your ring finger on the 4th string 7th fret and pinky right under holding down the 3rd string 7th fret, strum it once and then move down two frets towards the head stock and away from your picking hand to a C5 power chord. Your pointer finger now is on the 5th string 3rd fret and your ring finger is on the 4th string 5th fret and pinky on the 3rd string 5th fret and strum this chord once.

Then go to an open A5 power chord which is an open 5th string with your pointer holding down the 2nd fret 4th string, strum only the 5th and 4th strings and strum it only once. Then go back to the C5, then to the D5 and then back to the 6th string to pick the G5 and slide it to the A5 just like we did to start this entire riff off. This is basically the entire intro riff. If you are enjoying learning this catchy power chord riff make sure you check out our lesson on how to play School’s Out For Summer by Alice Cooper for another one.

Step 2: The Blues Shuffle Riff

So that first riff is basically what is happening with the keyboard section. Then the guitars come in with this blues riff. This riff is your typical blues shuffle. So starting the blues shuffle with your pointer on the 6th string 5th fret and your middle finger on the 5th string 7th fret shuffling between this note and the 5th string 9th fret. Between the 5th and 6th scale degree. Switching back and forth every other strum between the note your middle finger is holding and the note your pinky presses down to get the 6th. Then we are going to do this same shape and blues shuffle but now we shift down to pointer on the 5th string 3rd fret and middle finger on the 4th string 5th fret, alternating between this note and the 4th string 7th fret with your pinky finger.

This is a C5 chord then move up to the D5, so up two frets now placing your pointer down on the 5th string 5th fret and your ring finger down on the 4th string 7th fret, so same strings as the C5 but different frets, and then pinky down on the 3rd string 7th fret, doing the blues shuffle and switching between ring finger and pinky every other strum. So two measures on the A5, then half a measure on C5 and half a measure on D5. So what that little transition is, is just another power chord, just a three finger E5, pointer on the 5th string 7th fret, ring finger on the 4th string 9th fret, and pinky on the E 3rd string 9th fret. They arpeggiate it, picking the 5th string, the 4th, the 3rd, and then back to the 4th. Then simply just bar your finger holding down the 7th fret 5th string with your pointer and the 3rd string 7th fret, and then keep your ring finger holding down the 9th fret 4th string. Then just pick straight down it, the 5th string, 4th, and 3rd.

Step 3: The Spacey Riff

Then it goes into this super super awesome driving riff. Starting with an open 5th string, the on the 4th string pick the 2nd fret with your middle finger and then the 1st fret with your pointer to the open 4th string. Then 3rd fret with your ring finger on the 5th string, to 2nd fret on the 5th string with your middle finger, to 1st fret with your pointer, then cycle this riff.

Then you are going to move everything up a string. So same riff but now on the 6th and 5th string. So open 6th string then on the pick the 5th string 2nd fret with your middle finger, then the 5th string 1st fret with your pointer to the open 5th string. Then on the 6th string play the 3rd, 2nd, and 1st string with your ring, middle, pointer fingers and cycle it. Cycle it 3 times and then play this little walk up part that goes all on the 6th string, open, 1st fret, 2nd fret, 3rd fret and Robert used his pointer for all three of those frets. You will hear this walk up quite a few times in this song, they do it a bunch. Now back into the blues shuffle riff and then repeat everything we just did for the spacey riff.

Step 4: The Solo

Now the song goes into this solo section. The entire solo is pretty much out of the box 1 A minor pentatonic scale. A few notes are not, a few are from the Dorian scale but we are just going to focus on the A minor pentatonic scale. So real quick playing this scale, we start on the 6th string and pick the 5th and 8th frets with our pointer to pinky finger, then on the 5th, 4th, and 3rd strings we pick the 5th to 7th fret using our pointer to ring finger, and on the 2nd and 1st strings we pick the 5th to 8th frets using our pointer to ring finger.

The solo starts out with a slide from the 5th to 7th fret on the 4th string with your ring finger, then pick the 5th fret 3rd string and add a slight bend to it with your pointer finger, then pick the 5th to 7th frets on the 4th string, back to the 5th fret on the 3rd string with a slight bend again with your pointer finger, ending with your ring finger on the 4th string 7th fret with some vibrato. Then bend the 8th fret 2nd string up a full step. Then bend it again both up and down, so a bend and a release, pick the 5th fret 1st string, then on the 2nd string ick the 8th fret with your pinky finger and then the 5th fret 2nd string with your pointer, then on the 3rd string play the 8th fret, the 7th fret and the 5th fret, using your pinky finger, to your ring, to your pointer. Then pick the 7th fret 4th string with your ring finger, then the 7th to 5th frets on the 3rd string with your ring to pointer fingers and then the 7th fret to the 5th fret on the 4th string using your ring finger to pointer finger. Then end this phrase by picking the 7th fret 4th string with your ring finger but hang on the note before it for a bit first. Then you are going to bend the 5th fret 3rd string again, and then the 7th fret again on the 4th string with your ring finger.

Now we have this little sliding lick. So this part is simply going 3rd fret slide up to the 5th on the 2nd string using your pointer finger. Then roll your pointer finger down to grab the 5th fret 1st string and pick the 1st string. Do this all in one solid motion. Then repeat it three times. On the fourth time he does something different. What we do is slide the 3rd fret to the 5th fret on the 2nd string with our pointer. Then you basically want the 3rd string to be muted. You can mute it by barely touching it with either a finger on your fretting hand or even the palm of your picking hand.

The reason why we even bother to picking the muted 3rd string is because it gives this next riff a very percussive feel. So after the slide and the first pick mute he does all of these little ghost notes, it sounds kinda like a chicken picker riff. He doesn’t get that chicken picking sound from his finger though in this lick, it’s actually coming from his pick. So after you did the slide, you are going to want to play the 3rd string 5th fret muted, it is just there to make this lick have a percussive kind of feel. Then pick the 8th fret 2nd string with your pinky and then back to the muted 3rd string, then pick the 7th fret 2nd string, back to the muted 3rd string, and then to the 5th fret 2nd string. Then the same idea but we are going to move up two strings, so now muted the open 4th string instead of the open 3rd, then picking the 7th fret 3rd string, back to the muted 4th string, to the 5th fret 3rd string, ending on the 7th fret on the 4th string. Then bend the 8th fret 2nd string again with lots of vibrato and then one last descending run.

So now we are doing a very similar descending run to the other one, but this lick is kind of harder to hear, the way the notes all bleed together, but it’s basically just a pentatonic scale. Starting the run off by bending the 8th fret 2nd string a whole step with lots of vibrato. Then pick the 1st string 5th fret with your pointer, then on the 2nd string you are going to pick the 8th fret and then the 5th fret using your pinky to pointer fingers. Then the 7th fret 3rd string then back to the 8th and 5th frets on the 2nd string. Then the 7th fir 5th frets on the 3rd string, and then the 7th fte 4th string with our ring finger.

Step 5: The Chromatic Walk Up

After the big music break, there is this chromatic line. It starts with an open 6th string, then bar your pointer on the 4th fret holding down both the 4th and 3rd strings with your pointer finger at the same time. This is where we get this chromatic walk up. So from the 4th fret 4th and 3rd strings we are going to move our double stop up one fret to the 5th fret holding down the 4th and 3rd string, then to the 6th fret, walking all the way up to the 18th fret barring the 4th and 3rd strings with your pointer the entire time. You’ll be able to hear this clearly in the song with the rhythm and all the details. Then right back into the spacey riff.

Recap: How to play Space Truckin’ by Deep Purple

I hope you enjoyed our Deep Purple “Space Trucking” lesson! This song has so many cool elements to it that really make it stand out. Even just the solo, every lick is a stand out lick but what else would you expect from Ritchie Blackmore! Have a lot of fun with this one and be sure to bring some of the elements and style back into your own playing. Have a lot of fun with those big vibrato bends and really pay attention to how they make these big, simple riffs really stand out!

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How To Play Cream’s Spoonful Main Riff On Guitar – Awesome Blues https://guitarcontrol.com/rock-riffs-made-simple/cream-spoonful-guitar-lesson/ https://guitarcontrol.com/rock-riffs-made-simple/cream-spoonful-guitar-lesson/#respond Mon, 21 Nov 2016 16:36:48 +0000 https://guitarcontrol.wpmudev.host/?p=17658

Cream Spoonful Guitar Lesson

 
Today we give you a Cream Spoonful Guitar lesson! Though this is a cover, Cream of course has an awesome take on a classic blues song originally by blues legend Howlin’ Wolf. What gets better than legends covering legends! The main riff we are focusing on today will be played in a lower register and higher register and we also follow the vocals on “spoon, that spoon that spoonful” So in this piece we really are going to be focusing on making our guitar sing!

Step 1: The Main Riff

So in this “Cream Spoonful” guitar lesson we are going to play this riff two different ways but first we will focus on the lower version. In this version we play everything very open. There are a lot of different ways you can play this riff, meaning you can use different fingers. You can use your pointer and then you’ll be ready to fall into the chord that follows, or you can use your second finger, whatever you find to be the most comfortable and efficient. I also advise and prefer to make everything as easy as possible on myself. It’s good for you muscles and it gives you more time to get to where you need to on the guitar so you can focus on feel and adding special touches like vibrato.

This riff starts on the 6th string 3rd fret, I use my middle finger and bend this note down. Then we follow our bend with an open 6th string which we pick twice. Then we do this all again. Then we do a G5 power chord to the open E5 power chord. To play the G5 power chord we place our pointer on the 6th string 3rd fret, your ring finger on the 5th string 5th fret and your pinky right under your ring finger, on the 4th string 5th fret. If you find that to be too hard to include the octave note, which means the same note as our root but higher. You can leave out the note your pinky is holding. That is our octave and you are already holding that note when you placed your finger on the 3rd fret 6th string which is our root, G. Adding the octave note with our pinky just kind of thickens the chord up. This is a really simple riff but it’s really cool and heavy sounding and a lot of fun to jam over! If you are enjoying learning this Cream classic be sure to also check out our video for how to play Sunshine of Your Love on guitar for another cool, simple song to add to your repertoire and jam over.

Step 2: Moving Our Main Riff Up an Octave

For this part we use the pattern 4 minor pentatonic. In the video above at 3:30 I walk you through this scale if you are not already familiar with it. We’re in E minor pentatonic and our root is the 12th fret 6th string. So we are going to play this same riff, now an octave higher! A very simple way to add excitement to a riff. We start this one with a little pick up. I hammer-on on the 4th string 12th fret to the 14th fret. Then I drop my pointer down to the 3rd string 12th fret and then pull it down bending it a quarter step down. I do this 3 times in a row, then end on the 14th fret 4th string with tons of vibrato on the third time through.

Eric Clapton adds a ton of fills on this one, where after bending down pedaling between the 4th and 3rd strings twice, instead of three times, he’ll go straight into that pentatonic box and do some fills. So please feel free to do the same and have fun! And if you don’t know the pentatonic scale, please check out the video above at 3:30 for a walk through of it.

Recap: Cream Spoonful Guitar Lesson

I hope you enjoyed our “Cream Spoonful” guitar lesson! Remember have fun with this one and this is the perfect jam song! Play it by yourself and add your own fills like we went over in the second half or play the first half as a rhythm and switch back and forth with a friend take turns improving solos. As always, have fun. But also pay a lot of attention to detail. Clapton is a pro and even when he is playing simple things he adds special nuances that make it stand out and separate him from other guitarist.

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How to Play Walk This Way By Aerosmith https://guitarcontrol.com/rock-riffs-made-simple/how-to-play-walk-this-way/ https://guitarcontrol.com/rock-riffs-made-simple/how-to-play-walk-this-way/#comments Sun, 20 Nov 2016 16:39:38 +0000 https://guitarcontrol.wpmudev.host/?p=17686 Check out How to Play Walk This Way By Aerosmith Guitar Lesson from Guitar Control instructor Jon MacLennan. Step by step video instructions and the free tabs will have you rockin’ this classic tonight!


Walk This Way

Introduction

Hey how’s it going? My name is Jon McLennan and I hope you’re doing fantastic. I’m here with GuitarControl.com bringing you this video lesson and today’s lesson is on a song called Walk This Way by the classic band Aerosmith. Joe Perry and Brad Whitford are on guitars and really this is just epic rock playing. So click the link below so you can get the tab that goes along with this video lesson. We’re going to break it all down for you and I’m going to show you that main riff and then we’re going to jump into this funky bluesy rhythm part that goes in the verse and then how to play the chorus and even get into the first solo. So let’s zoom in and break down How to Play Walk This Way By Aerosmith.

Walk This Way Riff

We start How to Play Walk This Way By Aerosmith with an open A string and then walk up chromatically, meaning in half steps, zero, one, two and I would recommend using these fingers; just the first finger to the second finger and then you kind of roll your finger. See how I popped it down like that to the next string and play the second fret on the fourth string? Then you do a rest on the second beat, the sixteenth note rest and you do the same thing again. So it’s one, two and then you tag it with the low E string. Now what I’m doing with the picking is down for the first beat and there’s sixteenth notes, so I’m just alternating my picking and then the next beat is a rest and I come in on the E 1 e and of the second beat. So I’m going to do that as an upstroke so the picking in fact is this down, down, down, up, down; actually I think on the last one to down. So down, down, down, down and that picking pattern is related to the time you know, it’s like with my foot one II and the strong beats are always down strokes and the weak beats are up, so that’s the first measure. So then you rest and then the second measure does the same thing until here, then you come up to the third fret on the sixth string and do a little pull-off from 3 to 0 and then play the second fret on the fourth string, that notes kind of staccato, so here’s the whole riff slowly and it’s rock and roll, so there’s a lot of like what I call clicks, which are just muted strings, in-between you’ll hear and do that… So you can experiment with that and just, you know in those rests you can put a click, you know or a muted and I’m just coming across the strings here going down and getting a cool kind of percussive sound. How epic is that? Thanks for watching How to Play Walk This Way By Aerosmith.

GET Jon Maclennan’s courses by clicking in the links below – GO!!! ➜

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How to play Play That Funky Music – Wild Cherry Guitar Lesson https://guitarcontrol.com/rock-riffs-made-simple/how-to-play-play-that-funky-music/ https://guitarcontrol.com/rock-riffs-made-simple/how-to-play-play-that-funky-music/#respond Fri, 18 Nov 2016 16:47:08 +0000 https://guitarcontrol.wpmudev.host/?p=17614

How to play Play That Funky Music

 
In this Guitar Control video lesson instructor Robert Baker, is going to teach you how to play “Play That Funky Music” by Wild Cherry. This is a really fun song and impossible to not nod your head to. There are all kinds of good stuff in this lesson. There are two guitar parts in this one but today Robert is going to focus on the main guitar part. The main guitar part is the riff you hear and any of really recognizable parts to this song. Not that you shouldn’t learn it all, but that is going to be the focus of today’s lesson. Not only is Robert going to focus on the main parts of this song, but also the awesome solo in this song.

Step 1: The Main Riff In the Open Position

Step one to learning how to play “Play That Funky Music” is diving into this opening riff. There are two different ways to play this riff, the way Robert prefers to play it and is going to show you how to play it is by using the open strings. He prefers the open position because it has a little more pop and twang to it. To start off the entire riff, Robert slight mutes the 6th string and picks it open twice. Then he picks the 2nd fret 4th string, to the open 4th string, back to the 2nd fret 4th string. He picks each of those notes individually. Then he goes to the 5th string and does a hammer on from the open 5th string to the 2nd fret 5th string.

A hammer-on is just what it sounds like it is, you pick once and then slap your fretting hand finger down to the next note hammering it on and making the next note ring out without needed its own pick attack. Then back to the 4th string where you are going to pick the open string and then also pick the 4th string 2nd fret. A lot of people do a hammer on there but if you listen to the song closely you can tell he’s picking that note.

The hardest part about this song is the groove, anytime you are dealing with funk music it is all about the groove. It might not be the most complicated lick, but the actual rhythm and timing is what is going to be the tough part. The other guitar part that we are not covering in this lesson really shows that. If you are loving that funk sound but having a hard time mastering it, be sure to check out Robert’s other video lesson for beginners showing how to play funk guitar. This main riff is the riff people really recognize from this song.

To add some detail to this riff, Robert mutes the lower strings but not the higher strings. This adds a lot of depth and dynamics to this awesome riff. One thing he does to give this track a little extra funk, pop to it, is that he is actually doing quite a few upstrokes. What happens when you add in these upstrokes is that you kind of going underneath the string and kind of pop it, giving this riff a lot more emphasis on that twang sound.

Step 2: The Main Riff in the 5th Position

The main riff in the 5th position which really just means the 5th fret, still starts out with the open 6th string picked twice and muted. Then all on the 5th string, you are going to go 7th fret with your ring finger to the 5th fret with your pointer, back to the 7th fret with your ring finger. Then go to the 6th string and pick the 5th fret and hammer it onto the 7th fret. Then pick the 5th fret to the 7th fret on the 5th string. Sam exact notes, but these different positions have a slightly different feel to them. Position 5 you are using all fretted notes, and in the open position you are using lots of open notes which just automatically gives a looser feel. Again Robert prefers the open position but it is totally up to you. This is the verse of the song and we also refered to it as the main riff because it is the riff that reminds you of this song and the most recognizable riff in this song. They keep playing this riff and the bass kinda just holds down that groove.

Step 2: The Bridge

To play this bridge section there is some left hand muting going on. Robert made a point to include this because the other guitar kind of cuts out here and it’s just getting us into that funky style of playing. With your pointer finger, barre the 7th fret 3rd, 2nd, and 1st frets. So putting pressure on the 7th fret, 3rd string through the 1st. You can do the full chord if you want but we are just gonna focus on the mute for right now. So the trick is that you have to mute three times, so you want to have your hands where they’re not touching the strings where you are going to mute with your fretting hand. So mute with your picking hand and go down up and then down but now letting the chord sound out. When Robert does this he aims for the highers strings, it gives you more of that “chick chick” sound. Cycle this a bunch. Two mutes and a chord.

The next part starts with the 3rd fret 6th string twice with your pointer, then pick the 5th fret to the 3rd fret back to the 5th fret all on the 4th string using your pointer to ring fingers. Then hammer-on with your pointer to ring finger, the 3rd fret to the 5th fret on the 5th string, and then pick the 3rd fret to the 5th fret on the 4th string. Same as that 1st riff but just now it’s kind of out of G. Cycle it and then go to Bb5. Pointer on the 1st fret 5th string, ring finger on the 3rd fret 4th string and pinky right under on the 3rd fret 3rd string, strum it once and then go right into the walkdown! The walkdown is all out of the E minor pentatonic scale which Robert will cover more in the solo.

Start with your pointer finger on the 4th string 2nd fret, pick it once and then pick the 4th string open. Then go to the 2nd fret 5th string, then back to the open 4th string. Then back to the 5th string picking the 2nd fret to open again. Back to the 2nd fret on the 5th string, to the 3rd fret 6th string. Then pick the 5th string open to 2nd fret, open 5th string again, 3rd fret 6th string, to the open 6th string, back to the 3rd fret 6th string, ending with the 2nd fret 4th string. This actually just follows that famous vocal line, “Lay down the boogie and play that funky music till you die”

Step 3: The Solo Scales

Now for the Solo! The solo is almost entirely out of box 1 of E minor pentatonic, but it does venture into box 2 for a second. If you already know these scales you can skip through this part, to follow along while Robert shows them to you though see the video at the 7 minute mark.

Box 1 E minor start with the 6th string pointer on the 12th fret and pinky on the 15th. On the 5th, 4th , and 3rd strings use your pointer to play the 12th fret and your ring finger to play the 14th. On the 2nd and 1st strings use your pointer to play the 12th fret and your pinky to play the 15th. You will also be using box 2 of the E minor pentatonic scale which starts with your roots being on the 4th and 2nd strings but let’s start from the 6th string on the B3 of the scale. So 6th string 15th to 17th fret using your middle to pinky fingers, on the 5th and 4th strings play the 14th to 17th frets using your pointer to pinky. On the 3rd string play the 14th to 16th frets using your pointer to ring finger, and on the 2nd and 1st strings play the 15th to 17th frets with your pointer to ring finger.

Step 4: The Solo

Right after you hear them say, “Play some of that for Papa” the solo kicks in. Starting off all in Box 1. Pick the 12th fret to the 14th fret on the 4th string. Then the 12th fret to the 14th fret on 3rd string. The 12th fret on the 3rd string. Now bend the 15 fret up a full step on the 2nd string. Then the 12th fret 2nd string to the 15th fret on the 1st, bend this note three times, each time doing one full step bend. When you come down from the last bend you are going to pull off to the 12th fret 1st string. Then 2nd string 15th fret pull off to the 12th fret. Then you’re going to bend the 15th fret 2nd string again up a full step and then grab the 12th fret 1st string with your pointer right after, while you are still bending the 15th fret 2nd string.

Almost like a unison bend but it comes in a second after, not at the same exact time. The 12th fret 1st string, then 15th fret to 12th fret on the 2nd string. Then bend the 15th fret 2nd string again. Then while the 15th fret 2nd string is bent, take your pinky and put it on the 15th fret 1st string. Pick them individually and then again together. Now do another bend on the 15th fret 2nd string. I know this is repetitive but it sounds awesome! Then just pick the 15th fret 2nd string, then the 12th fret 2nd string, then on the 3rd string pick the 14th fret then the 12th fret, and end with a double stop on the 12th fret holding down both the 4th and 3rd strings with your pointer finger.

It’s kind of hard to hear what they are doing on the actual recording at this spot because it’s all a little meshed together, but what Robert does is just throws in 12th fret to 14th back to the 12th all on the 4th string. Then back to the 15th fret 2nd string for a whole step bend again, both up and down, after you bring it down pull off to the 12th fret 2nd string. Then bend the 15th fret 1st string a whole step, then up to the 17th fret 1st string and bend a full step, do this bend twice. Then back to the 15th fret 1st string, to the 17th fret 2nd string. All of this is followed by this cool little lick. Hammer-on the 15th fret to the 17th fret on the 2nd string, then pick the 15th fret 1st string. Repeat that four times and then bend the 17th fret 1st string again, then pick the 17th fret 1st string and end on the 12th fret 1st string,

For the last note you can also roll your finger up and pick the 17th fret 2nd string instead of the 12th fret 1st, but it’s a little more difficult to roll your finger, totally up to you and what is most comfortable in your opinion. And of course add some vibrato on that last note.

Recap: How to play Play That Funky Music

I hope you enjoyed learning how to play “Play That Funky Music”. What a fun song! There are tons of really cool elements to this song and a great example of a song that is so vocal. Really take that and run with it and make your guitar “sing” Be sure to play close attention to all the details, play the song slow first, then fast.

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Long Cool Woman in a Black Dress by The Hollies on Guitar – Made Easy with Video https://guitarcontrol.com/rock-riffs-made-simple/play-long-cool-woman-black-dress/ https://guitarcontrol.com/rock-riffs-made-simple/play-long-cool-woman-black-dress/#comments Tue, 15 Nov 2016 15:50:54 +0000 https://guitarcontrol.wpmudev.host/?p=17619 How to Play Long Cool Woman in a Black Dress

In this Guitar Control video lesson instructor Robert Baker is going to show you how to play “Long Cool Woman in a Black Dress” by the Hollies. Such a cool song, you will definitely recognize it, it’s been in so many movies and in so many iconic parts of movies, you may recognize it from Remember the Titans or other movies. This is kind of one of those riffs that everyone hears and maybe they never learned it but have always wanted to learn it. So today we are going to be breaking it down.

Step 1: The Opening Lick

Learning how to play “Long Cool Woman in a Black Dress” is learning this super cool, very moody, arpeggiated opening lick. It starts out with an open 6th string, then an open 5th string, then hammer-on to the 2nd fret on the 5th string. Then pick the open 4th string and then go to the 5th fret 4th string, and then play an open 3rd string, kinda sliding into that note. Then you are going to go to the 4th fret 4th string, then pick the open 3rd string, and then the open 2nd. Then go to the 2nd fret on the 4th string, and again pick the open 3rd string and then the open 2nd. Then go to the open 4th string then open 3rd string. Then 2nd fret 5th string to the open 4th string.

This next part is almost the top part of a G chord. With your middle finger hold down the 3rd fret 6th string and pick it once, then with your pointer hold down the 5th string 2nd fret and pick that once, so those two fingers are also placed the same on the same frets and strings and the fingers used for playing an open G major chord. Then pick the open 4th string. Then go to the 2nd fret 6th string and pick that once, and then an open 5th string, and then an open 4th string. Then go back to the G major shape at the top we did just a moment ago and pick the 6th string 3rd fret, then the 5th string 2nd fret and then the open 4th string. Then play the 6th string 5th fret, to the open 4th string, to the open 3rd string. Then slide back down and pick the 3rd fret 6th string, to the open 4th string. Then the 2nd fret 6th string, to the open 5th string. That’s the whole intro riff! If you are enjoying learning this cool riff be sure to check out our lesson on how to play Crazy on You by Heart.

Step 2: The Blues Shuffle Riff

This riff is really cool because it starts out just like a normal blue shuffle, but then they kind of tweak it a little. Starting with a normal E5, open 6th string, pointer on the 2nd fret 5th string, then when you add the shuffle you go to the 4th fret 5th string with your ring finger and then to the 5th fret 5th string with your pinky. The way they play this tho is every chord is very choppy and they kinda choke the strings. So you strum, mute, strum, mute. So those are the voicings and actually the order you play them, however after you get to the 5th string 5th fret with your pinky, you go right back to the 4th fret 5th string with your ring finger, just moving back one half step. So this riff kinda goes up and then right back down.

Starting with the E5 where your pointer finger is holding down the 5th string 2nd fret, to the 5th string 4th fret with your ring finger, to the 5th string 5th fret with your pinky, back down to the 5th string 4th fret with your ring finger. All of these also picking the open 6th string with each change at the same time, but muting in between so you’re not getting everything ringing together. This riff is very precise and clear. After you go through that once, then you go to the 2nd fret on the 5th and 4th strings and pick that twice. Then back to the shuffle but now not worrying so much about muting. Only the first one was played super staccato. The rest are a lot looser. So they just kind of keep going with that riff, repeating it over and over.

The only change that really happens in this riff is that they just add a couple simple power chords in. The G5, pointer on the 6th string 3rd fret and ring finger or pinky, your choice, on the 5th string 5th fret, and then A5, so move up two frets and do the same shape! Pointer on the 6th string 5th fret and ring finger or pinky finger on the 5th string 7th fret. Strumming only the 6th and 5th strings for both of those power chords. So four times through the shuffle and then the chords. Then back to the shuffle twice and then he moves up to the 5th fret and plays an A5 power chord, pointer on the 6th string 5th fret, middle finger on the 5th string 7th fret, and pinky doing the shuffle by grabbing the 5th string 9th fret. So alternating, shuffling, between the 5th strings 7th fret to the 5th string 9th fret. Play that four times and then move up two frets to a B5 power chord. So now your pointer is on the 6th string 7th fret, middle finger on the 5th string 9th fret, and pinky doing the shuffle by grabbing the 5th string 11th fret. Play this eight times, then back to the A four times, then to the G, so moving the shape down two frets to pointer being planted on the 6th string 5th fret again. Pointer finger is on the 6th string 3rd fret, middle finger on the 5th string 5th fret, and pinky grabbing the 5th string 7th fret to get the shuffle play this four times and then to the original shuffle in the open position and play it twice. Then back to the shuffle on A four times, then to the shuffle on G two times.

There’s two different guitar parts happening in a lot of these different sections but we are going to focus on that main line that starts with the open 6th string, then the 1st fret 3rd string three times, then pick the open 5th string and hammer on to the 2nd fret, then pick the open 4th string, and then do that part again, the open 5th string hammer on to the 2nd fret and then pick the open 4th string. Then pick both the open 4th and 3rd strings together and hammer on to the 1st fret on both of those strings, this is kind of your chord. Repeat that part and that’s it.

Recap: How to Play Long Cool Woman in a Black Dress

I hope you enjoyed learning how to play “Long Cool Woman in a Black Dress”. It’s such a fun song with so many cool different parts. Remember to pay close attention to detail. A lot of these parts are kinda similar or repetitive and sometimes that can be tricky as you can almost loose concentration more easily. So really pay attention, slow things down before you speed them up, and of course, as always, have fun!

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How to Play Same Old Song and Dance by Aerosmith https://guitarcontrol.com/rock-riffs-made-simple/same-old-song-and-dance-chords/ https://guitarcontrol.com/rock-riffs-made-simple/same-old-song-and-dance-chords/#respond Mon, 14 Nov 2016 15:58:35 +0000 https://guitarcontrol.wpmudev.host/?p=17598

How to Play Same Old Song and Dance by Aerosmith

In this Guitar Control video lesson instructor Robert Baker, is going to go over Aerosmith’s “Same Old Song and Dance” Chords and Main riffs. Robert describes this song as a riff masterpiece and one of his all time favorite Aerosmith songs. It has a killer groove and tons of cool details that make it stand out. There’s a lot of double tracking in this song so today we are just going to go over the main riffs and parts of this song, or as Robert calls it, “The Meat and Potatoes”.

Step 1: The Main Riff

First, we’re going to go over the riffs and the “Same Old Song and Dance” chords used to make these killer riffs. This is the main riff, but it does have Two Different versions, but don’t worry, we’re going to cover both! Version One, this riff is pretty simple. It is based off of this open E minor pentatonic scale. On the 6th string open to 3rd fret, on the 5th, 4th and 3rd strings you play the open strings to the 2nd fret, and on the 2nd and 1st strings you play the open strings to the 3rd fret. The riff starts by picking the 6th string open twice.

If you want a thicker, heavier sound you can start with an open E5 power chord by just placing your pointer on the 5th string 2nd fret and picking both the 6th and 5th strings together instead of the open 6th string by itself. Both ways are right, it’s totally up to you which you prefer. Then with your middle finger go ahead and bend the 3rd fret 6th string down to create a total cool, bluesy feel and then pick the 5th string 2nd fret.

Now, pick the open 4th string twice, then back to the 5th string 2nd fret once, then pick the open 4th string again twice. Then bend the 6th string 3rd fret down again and pick the 6th string open once. Then do two E5 power chords! Place your pointer on the 5th string 7th fret and your ring finger on the 4th string 9th fret. You can play it there or you can play the same chord but a different voicing by holding down the 4th string 2nd fret with your pointer and your pinky on the 3rd string 4th fret. Robert prefers to play it here since he feels he hears the chord played higher than the voicing on the 5th string root. So again ending by picking the E5 twice. This is basically what the main riff is.

There is one thing that changes though, after you do the opening part and then get to the E5 power chord, you change the voicing using the E5. Still an E5 , just change where you play it, and this happens no matter which voicing you chose to do earlier. Now the E5 is played in the open position, much deeper than the other voicing. This E5 is played with an open 6th string and your pointer on the 5th string 2nd fret, strumming only these two strings, the 6th and 5th strings. Everything else is the same. You’re just adding that lower octave E5, of course, strumming it twice just like you did with the other E5 voicing.

This riff is played behind the solo as well. The only time it really does the higher voicing of the E5 chord is the first time. Every other time is that open E5 we just went over. If you’re enjoying this Aerosmith song make sure also check out our video on how to play Sweet Emotion by Aerosmith for another song packed full of cool bluesy rock riffs.

Step 2: The Double Stop Riff

This next riff is full of Double Stops. Starting by playing the 5th string with your 3rd finger barring both the 5th and 4th strings. Then go to the 3rd fret and play the same strings but now bar with your pointer. Then go to the 6th string 1st fret and pick that note by itself, back to your double stops, first the 3rd fret 5th and 4th strings and then the 5th fret 5th and 4th strings this time. Then bar the 4th and 3rd strings on the 5th fret with your ring finger to the 3rd fret barring the same strings but with your pointer. Then go back to the 5th fret same strings but bar the 4th and 3rd strings this time with your pointer and then bar the 4th and 3rd strings on the 7th fret with your ring finger. Then use your ring finger to bar the 5th and 4th strings on the 3rd fret, than the same strings but 1st fret with your pointer, pick it twice and go back to the 3rd fret barred with your ring finger and then play an open A5, open 5th string with your pointer holding down both the 4th string 2nd fret and the 3rd string 2nd fret and then strum from the 5th string to the 3rd string.

Then play a C5 power chord with your pointer on the 5th string 3rd fret and your ring finger on the 4th string 5th fret. Strum once and then move the power chord up two frets to a D5 power chord with your pointer on the 5th fret 5th string and ring finger on the 7th fret 4th string, and strum once. These last two power chords act as a transition leading you back to the main riff. After you play the main riff and before you play the next riff there is another small transition. You just add a tiny fill, a double stop on the 3rd string 7th fret and 2nd string 8th fret. Strum twice with a ton of attitude and vibrato and slide the double stop off the neck down towards the headstock.

Step 3: Riff 3

When this next riff happens in the song it’s at the point where there are two guitar parts happening. This guitar won’t be tabbed out, because one guitar is doing a steady, constant low end rhythm on the open 6th string. While the other guitar is playing an E5 chord. Starting with the E5 where your pointer is on the 5th string 7th fret and your pinky is on the 4th string 9th fret. Strum the E5 once and then move down two frets to a D5. Now, your pointer is on the 5th string 5th fret and pinky on the 4th string 7th fret and strum this chord twice. Followed by a lick, pick the 8th fret 2nd string, then the 7th fret on the 3rd string, then 7th fret 4th string, and end with the E5 power chord on the 7th fret 5th string, pick it once.

After this riff we start getting into repeating riffs, but in a slightly different order. Back to the double stop riff and then the pull off lick and then all again. It gets a little tricky when we go back to riff 3, but the final time it changes is in the middle of our final time through the double stop riff we actually go back and repeat it. See the video at about 7:07 to see Robert demonstrate this. It goes back to a lick we did in the beginning.

Go to the 3rd fret on the the 5th and 4th string with your ring finger. Pick once and then do the same thing but now on the 1st fret same strings and pick twice, then back to the 3rd fret once and then now for the change, into an open A major chord, pointer in the 4th string 2nd fret and open 5th string. Into a C5 followed by a D5 on the 5th string and then now we are really just repeating riffs again.

Step 4: The Last Riff

For the change we start with a B5 power chord. Pointer on the 2nd fret 5th string and ring finger on the 4th string 4th fret and pinky right under your ring finger on the 3rd string 4th fret. Strum this chord twice, once down and once up. Then pick your pointer finger up so that the 5th string is now open.

Strum the same strings again but now with the 5th string open and your ring finger and pinky still down where they were for the B5 chord. Then pick the 3rd fret 6th string with your middle finger down on the 6th string, and pick only that string, then place your pointer finger on the 2nd fret 6th string and pick that note and then an open 5th string, and back to the B5 and repeat all, it does this part for quite a while. This part happens before the next solo.

Then chromatically move your B5 power chord to the 3rd fret where it becomes a C5, to the 4th fret becoming a C#5, to the 5th fret becoming the D5, to the 6th fret becoming a D#5, and last the 7th fret becoming an E5. All on the 5th string. Chromatic means next to one another, so all in a row when we moved from 2, to 3, to 4, to 5, to 6, and to 7. And back into the same riffs again. So that is all the riffs!

Recap: How to Play Same Old Song and Dance by Aerosmith

I hope you guys enjoyed learning how to play “Same Old Song And Dance” by Aerosmith. A good, fun Aerosmith song with many classic riffs you’re sure to recognize and realize. Remember to pay attention to the details and slight variation that happen in this song.

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How To Play L.Skynyrd’s Call Me the Breeze Intro On Guitar https://guitarcontrol.com/rock-riffs-made-simple/call-me-the-breeze-guitar-lesson/ https://guitarcontrol.com/rock-riffs-made-simple/call-me-the-breeze-guitar-lesson/#comments Wed, 09 Nov 2016 16:19:25 +0000 https://guitarcontrol.wpmudev.host/?p=17663

Call Me The Breeze Guitar Lesson

In this Guitar Control video lesson, I’m going to show you how to play “Call Me the Breeze”. In this guitar lesson we’re going to focus on the Intro. This song is so fun and will be a little challenging. Though you probably have heard “Sweet Home Alabama” a million times, it’s pretty cool to learn a lesser know Skynyrd hit that will push you a little. This intro is pretty quick and it’s very musical and very well written. We are going to break this intro down and break up into different phrases to make it easier to learn and then connect them all at the end.

Step 1: Phrase One and Two

We start off our “Call Me The Breeze” guitar lesson by sliding on the 4th string 7th fret all the way to the 11th fret. When we slide we actually put our finger down, pick the 1st note to hear and push it to the 2nd note we want to hear. But make sure you don’t lift your finger up, that’s how we keep the sustain, meaning we keep the note ringing out. So you pick and push your finger over to the next note, again, not relieving the pressure from your finger since you first picked it.

Then we are going to hammer-on from the 9th fret to the 11th fret, both on the 3rd string, using your pointer to your third finger. A hammer-on is when you pick once, just like in the slide, but instead of pushing over to the next note you slap your finger down, and that’s how you get the next note to ring out without picking twice. So you hear two attacks but you only physically pick the first one with your picking hand. After all of that we are going to vibrato and hang out on the 10th fret 2nd string for one sixteenth note and an entire measure.

Phrase two stars with a full step bend on the 2nd string 12 fret. Then I pick the 12th fret 2nd string to the 10th fret 2nd string back to the 12th fret 2nd string. The full step bend we did was only up, not up and down. Also when bending be sure to use your first and second fingers for support on the bend and wrap your thumb around the neck. While your hand is wrapped around the neck and your fingers are bending the string, also push your thumb towards your other fingers to get a stronger bend. Check the video at 2:28 to see what I’m talking about. Also you can check what you bend should sound like by picking two frets up from the note you are bending to hear what your bend should sound like. If you are enjoying learning this intro be sure to check out my other lesson on how to play the intro to Strange Brew by Cream.

Step 2: Phrase Three and Four

Phrase three sounds kind of similar to phrase one, but instead of sliding from the 7th fret to the 11th fret, we are going to hammer-on the 9th fret to the 10th fret on the 4th string. For this hammer-on, I actually use my middle finger on the 9th fret and my ring finger on the 10th. By using my middle finger and my third finger, I am able to have my pointer ready to go on the 9th fret 3rd string to do a hammer-on from the 9th fret to the 11th.

Then we’re going to hang on the 10th fret with our second finger on the 2nd string and add vibrato. Instead of hanging that note out a long time though we pick the 10th fret again quickly, same string, 2nd string. Then we use our pointer to pick the 9th fret 3rd string, straight into a whole step bend on the 12th fret 2nd string, and then pick the 10th fret 2nd string once. Then we’re gonna repeat that bend, the 12th fret 2nd string, and again pick the 10th fret 2nd string after. Then we are going to repeat the bend one more time but instead of going to the 10th fret 2nd string like we have been, we are going to put our pinky under our ring finger on the 1st string 12th fret. Ending phrase three with a final bend on the 12th fret 2nd string.

Phrase four sounds almost exactly the same, but has a different ending. So it is identical to phrase three up until the second time we bend the 12th fret 2nd string. So repeat all the way until that part, and then instead of going to the 10th fret 2nd string like we did the previous time, we are going to go straight into a picking part. We’re going to use our pointer on the 10th fret 2nd string, our ring finger will be on the 12th fret 2nd string, and our middle finger on the 11th fret 3rd string. So we start this picking part by picking the 10th fret 2nd string sand then the 12th fret 2nd string. Then we pick the 11th fret on the 3rd string and then back to the 2nd string picking frets 10, 12, and 10 again. Back to the 11th fret 3rd string, to the 10th fret 2nd, and then back again to the 11th fret 3rd string, ending with one last picked note on the 10th fret 2nd string and sliding it down towards the head stock to end this phrase. For the very end we slide from about the 1st fret to the 12th on the 1st string.

Recap: Call Me The Breeze Guitar Lesson

I hope you enjoyed our “Call Me The Breeze” guitar lesson. Remember to practice these licks slow first and then build them up to speed. That way you won’t miss any of the details that make this a stand out Intro! And of course, as always, remember to have fun playing! That’s what it’s all about.

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How to Play Led Zeppelin’s Whole Lotta Love Guitar Solo https://guitarcontrol.com/rock-riffs-made-simple/play-whole-lotta-love/ https://guitarcontrol.com/rock-riffs-made-simple/play-whole-lotta-love/#respond Tue, 08 Nov 2016 16:22:27 +0000 https://guitarcontrol.wpmudev.host/?p=17673

How To Play Whole Lotta Love

In this Guitar Control video lesson, we’re going to show you how to play “Whole Lotta Love”, more specifically, the Solo to Whole Lotta Love. This solo is awesome, and of course it’s because it’s Jimmy Page. Some of these bends are wild, and the feel and attitude are awesome. This solo will push you to make that guitar sing and pay lots of attention to detail, vibrato, and feel. Let’s break it down.

Step 1: Breaking Down the First Half of the Solo

The 1st step in learning how to play “Whole Lotta Love” is breaking this solo into parts. This way we don’t get overwhelmed and can take it all in piece by piece and then put it all together. The very first lick starts with this kind of Classic Blues lick in the E minor pentatonic pattern 4 position, and we bend a whole step on the 14th fret on the 3rd string which its in the air we bar with our pointer finger on the 1st and 2nd strings on the 12th fret. So we bend, pick and pick. Going from the 3rd string, to the 2nd, to the 1st.

Then we’re going to pull off on the 2nd string from the 15th fret to the 12th fret. If you aren’t familiar with what a pull of is, it’s a guitar technique where you have your finger down on the sting you are picking but you also have the finger for the next note down on the same string behind it. Having this finger planted makes it so when we pick once and pull off, we do just what it sounds like we do, that it sounds smooth cause it goes straight from one note to the next. Also the pull off motion acts as a pick. So only one pick attack but you hear two notes, smoothly connected.

Then we’re going straight to the 3rd string and play the 15th, 14th, and 12th frets each once, also a pull off from 15, to 14, to 12, so only one pick for those three notes. Then back to the 14th fret 3rd string, to the 12th fret same string hammering on the 14th fret same string but this time we hammer onto the 14th fret we bend it up one full step. A hammer-on is really similar to the pull of but it’s the opposite direction. It’s the same concept but hammeron are ascending and pull offs are descending. So you pick once and then keep your first finger planted and slap down your other finger to the next note.

For second like we are going to start with a slide on the 3rd string with our third finger and we’re going to slide from the 2nd fret to the 4th fret. Then we drop to the 3rd fret 2nd string and use our middle finger to pick that note. Then we have a pull off on the 3rd string going from the 4th fret to the 2nd to the open string, pulling off all of these frets one after another. Then we do another pull off on the 3rd string with our pointer, the 2nd fret to the open 3rd string. Then we have a little tricky variation where we pull off the 2nd fret 3rd string to the open 3rd string again and then we do a hammer on pull off on the same string but now picking the open string first then hammering on to the 2nd fret and then pulling off to the open 3rd string. Then we go to the 4th string and pull off from the 2nd fret to the open string, twice. And then the same thing on the 5th string but we only pull off 2nd fret to the open string, once. If you are enjoying this solo be sure to check out how to play the intro to Call Me the Breeze by Lynyrd Skynyrd.

Step 2: A Closer Look at the Second Half of the Solo

The third lick is very similar to the first, but has a different ending. So this lick starts out just like lick one with the same blues lick where we bend and bar. If you need to check yourself on your bends make sure you are really bending to the right now, for a full step bend you go up two frets, and hear what the note sounds like and then match it with your bend, or for a half step bend, just go up one fret to hear what your bend should sound like. So same thing, we bend the 3rd string 14th fret a full step and while it’s in the air, we bar the 12th fret with our pointer and pick the 12th fret 2nd string and then the 12th fret 1st string. Here is where we change. Unlike before when we use the 2nd string 15th fret to do a pull off, we are going to bend it only up twice in a row, not up and down. So just up, up. Then we place our pinky on the 1st string 15th fret and pick it once and then end with another whole step bend on the 2nd string 15th friend only up, once.

This next lick is the trickiest lick in my opinion because we are going to do a huge bend, we are going to bend two and a half steps! So we start by picking the 17th fret 2nd string and then we’re going to bend the 20th fret ,two and a half steps. It’s a very drawn out bend and it’s kind of spacey and trippy, both upwards and down. Then back to the 17th fret 2nd string, to the 18th fret on the 3rd string, so pointer on the 17th fret and middle finger on the 18th. And we end with a pull off on the 2nd string from the 20th fret to the 17th using our pinky to our pointer finger.

So after that we are going to pick the 17th fret 2nd string and go straight into a whole step bend on the 19th fret 1st string, then we are going to go chromatically from the 19th fret to the 17th, so picking them individually, 19, 18, 17, all on the 1st string. Then back to the 2nd string and pulling off the 20th fret to the 17th fret, two times.

For our very last lick we’re going to go back to our 17th fret 2nd string, then we’re going to just pick the 19th fret on the same string, and then pick it again and bend it a full step, twice in a row, and then we are going to bend it one and a half steps, the third time we bend. Then we pick the 19th fret on the 1st string and then end this lick and the entire solo by landing on the 17th fret 2nd string with lots of vibrato on it.

Recap: How To Play Whole Lotta Love

I hope you enjoyed learning how to play “Whole Lotta Love” as much as I did. This solo is killer! So much feel and attitude and bends I’m sure you’ve never done before! So be sure to break these parts into sections and tackle them one at a time so you pay close attention to detail and feel. Work on making your guitar sing this, and as always and most importantly have fun and enjoy learning and practicing this solo.

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How to Play Rock’N’ Me by Steve Miller Band On Guitar https://guitarcontrol.com/rock-riffs-made-simple/steve-miller-band-guitar-lesson/ https://guitarcontrol.com/rock-riffs-made-simple/steve-miller-band-guitar-lesson/#respond Sun, 06 Nov 2016 16:02:39 +0000 https://guitarcontrol.wpmudev.host/?p=17589

How to Play Rock N Me Chords

In this Steve Miller Band Guitar Lesson – How to Play Rock N Me Chords, brought to you by Guitar Control Instructor, Robert Baker, Robert is going to breakdown the Rock n Me chords and main riffs. This is a great song for an intermediate guitar player. But there are still a lot of really techniques and ideas that beginners can use to start to grasp these concepts. Lots of muting, straight up blues style rhythm parts, and hammer-ons. And how to write simple, but powerful lines with lots of attitude.

Step 1: Riff One

In this Steve Miller Band Guitar lesson will probably be a quick one for you. We start with two power chords. First an A5. Robert is doing the three finger version of it, which includes holding the octave note down with your pinky finger. So for A5 your pointer finger is on the 6th string 5th fret, your ring finger is on the 5th string 7th fret, and your pinky finger is right under your ring finger holding down the octave on the 4th string 7th fret. An octave means it’s the same note, 8 notes higher. So it is the same pitch. An A, and a higher A. That is why singers have different ranges and why this note is optional…. we don’t need it in the chord because we are already holding down a lower A with our pointer finger but if we want to strum more strings and have a fuller sound we can include it because it is already in the chord. We strum this A5 twice, one down stroke and then an up. Then slide up two frets on the same string to play a B5. Pointer finger on the 6th string 7th fret, ring finger on the 5th string 9th fret, and pinky finger on the 4th string 9th fret. The Steve Miller Band puts a lot of emphasis on these chords and slide off of them off the neck to give this riff a lot of attitude and style. After the B5 he plays an E5. The E5 is played with your pointer finger on the 5th string 7th fret, ring finger on the 4th string 9th fret and pinky finger right under your ring on the 3rd string 9th fret. Strum down and then up and then go back to the B5 on the 6th string 7th fret. The sliding out of the chords is a great way to practice resetting your hands. A lot of times it’s easy to get your hands in one shape and become stiff and robotic… this forces you to add some style and to truly know your shapes.

This riff is so cool. It’s very original and very much makes you think of the Steve Miller band. You start it by barring your pointer finger on the 9th fret on the 5th, 4th and 3rd strings. You are basically barring a B chord but with an E on top. So you are going to strum down on your barred 9th fret and then hammer-on to the 11th fret on the 5th string only. So strum the bar, hammer-on and then pick up, strumming just the higher notes of the bar, focusing on the 3rd and 4th strings. Then repeat this four times and go back to the chords we did in the beginning. So this hammer-on riff breaks up the straight chords. This riff can be kind of tricky if you aren’t familiar with barring. If you are having trouble feel free to isolate these changes and work on them in sections instead of all at once. So if you haven’t mastered hammer-ons yet, just kind of break it apart. You don’t always have to do everything at once, you can just practice the actual hammer on and then add in the details of the strum after you have that mastered. To learn another awesome song full of hammer-ons check out our video on how to play Crosstown Traffic by Jimi Hendrix.

Step 2: The Driving Riff

So this rocking riff starts on the F on the 6th string. Even though Robert is using distortion in the lesson, the Steve Miller Band actually uses barely any. This song is super driving though so feel free to use some if you want to make it sound heavier. So starting on the F# he plays the 6th string 2nd fret to the 6th string 5th fret. Then he does the same thing on the 5th string, picks the 2nd fret then the 5th. Then roll your pinky finger up from the 5th fret 5th string to pick the 5th fret 6th string again. Then end this phrase but picking the 5th string 2nd fret with your pointer finger. That whole riff uses alternate picking, which means every note switching from a down pick to an up pick, or more often referred to as a down stroke or an up stroke, meaning down is when we pick towards our fret on the top of the string and up is when we pick up towards our face on the bottom of the string. Repeat this entire riff twice. Even though they play it very clean it’s fun to crank up the distortion of this heavy riff. Also be sure to palm mute this entire riff. Palm muting is when you kind of karate chop your guitar with your picking hard against the strings very close to the bridge, you can even rest on the bridge a little if you like. You leave your picking hand touching the strings while you pick to create a tighter more controlled sound. Much more staccato than when you do not mute. So to put it simply, tighter sounding, almost restricted, not letting the strings ring out.

Step 3: The Verse

So we just covered what palm muted is. Now this entire section is going to be using this technique! So for the verse you are starting by palm muting B5, pointer finger on the 7th fret 6th string and ring finger on the 9th fret 5th string. You strum that 16 times! Which is really just two measures full of eighth notes, so one and two and three and four and…playing on every single one of those counts two times through, all down strokes picking both strings at once. Then move down two frets to an A5, so now pointer is on the 6th string 5th fret and ring finger is on the 5th string 7th fret. Then play the A5 16 times, so two full measures of strictly eighth notes. Then just move both fingers down a string and up two frets to move from A5 to E5, pointer finger now on the 5th string 7th fret and ring finger on the 4th string 9th fret, strumming the E5 16 times as well. Then move each finger up a string going back to the B5 chord right above the E5. Pointer now on the 6th string 7th fret and ring finger on the 5th string 9th fret and strum this 16 times. So you end and begin with the same chord, the B5. So when you repeat the B5 is actually played 32 times in a row, or 4 measures of eighth notes because the progression ends with two measures and starts with two measures so when they connect it becomes four measures of B5. At 6:22 Robert shows you how he doesn’t just play this all with the same dynamic… even though the rhythm is very straight he accents certain notes to make them pop out and make this part more exciting. So feel free to have fun with this one and add your own accents. Robert is adding his on the second measure on the and of 3 and the and of 4, and sometimes on beat one of the first measure. Have fun with this stuff, it is stripped down and there’s not a lot happening.

Step 4: The Chorus

When we get to the chorus we enter this classic blues shuffle. Starting with a B5 power chord, pointer finger on the 6th string 7th fret and middle finger on the 5th string 9th fret. The reason why we use our middle finger for this bar chord is because we need to make room to stretch since our pinky finger is going to be grabbing some blues notes to create the classic blues shuffle feel. So strum that power chord twice and then use your pinky finger to change the note on the 5th string from the 9th fret to the 11th, grabbing it with your pinky finger. Strum once with the new note and then back to the original B power chord, the 7th and 9th frets on the 6th and 5th strings. Repeat 3 times. Then Robert adds in another special note on the 5th string since The Steve Miller Band is doing some crazy stuff for this part. Now he moves his pinky finger to grab the 12th fret 5th string while still holding down the 7th fret 6th string, and strums this twice. Then move your pinky to the 9th fret 5th string and strum that twice. Then do the same exact movements but now off of the A5 chord, so starting with your pointer finger now on the 6th string 5th fret and your middle on the 5th string 7th fret. So strum twice then reach your pinky finger over to the 9th fret 5th string and strum once and then back to the 7th fret and repeat 3 times. Then two times with pinky on the 5th string 11th fret with your pointer still holding down the 6th string 5th fret for this entire part, strum twice, then bring move it in so it’s now on the 10th fret and then strum that chord twice. Then back to the E5. Pointer on the 5th string 7th fret and middle finger on the 4th string 9th fret. And same strum with the pinky movements and all. So first strum E5 twice, then move your pinky to the 9th fret 5th string then back to the 7th for one more strum on E5. Then repeat that a total of three times and on the fourth time put your pinky on the 10th fret while still holding down the E with your pointer on the 5th string 7th fret and strum twice, and then move your pinky in so it snow on the 9th fret again and strum this twice. The back to the B5 repeating this whole pattern.

Then you are going to stay on the B5 for one more measure but this time you just do the first half of the blues shuffle, not the extra pinky stuff. So two strums on B5 then move your pinky to the 9th fret, strum one, and then bring it back to B5 and strum once. Repeat that a total of four times. Then same thing on the A5, and then back to the fancier shuffle when we go back to the E5 so this has the normal shuffle plus the pinky moving from the 12th to the 11th frets. Then B5 with the fancy shuffle and then B5 again with a straighter shuffle, the one without any extra funky stuff the last time but this time in the second measure you accent the down beats making them stand out more. Then back to the main riff!

Recap: How To Play Rock N Me

I hope you enjoyed learning how to play Rock N Me by The Steve Miller Band. This song is a lot of fun and has a few pretty interesting parts that make this song stand out. Remember to break down any hard parts and isolate your changes. It doesn’t matter how fast we learn it if we don’t learn it right. So slow these riffs down, pay attention to details, and most importantly, have fun!

Rock N MeThanks for watching How To Play Rock N Me By Steve Miller Band.

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How to Play KISS’ Shout It Out Loud on Guitar https://guitarcontrol.com/rock-riffs-made-simple/how-to-play-shout-it-out-loud/ https://guitarcontrol.com/rock-riffs-made-simple/how-to-play-shout-it-out-loud/#respond Sat, 05 Nov 2016 15:28:50 +0000 https://guitarcontrol.wpmudev.host/?p=17623

How to Play Shout It Out Loud on Guitar

In this Guitar Control Lesson, Instructor Robert Baker is going to show you how to play Shout It Out Loud on guitar by KISS. What a classic! This song is in Eb tuning, so everything is down a half step from the standard tuning where the 6th string is E, the 5th is A, the 4th is D, the 3rd is G, the 2nd is B, and the 1st is E. Robert is staying in standard for this lesson, so you probably will also want to stay in standard, but if you are going to play along with the recording you would simply tune all your strings down one half step. Meaning the 6th string would become Eb, the 5th string would become Ab, the 4th string would become Db, the 3rd Gb, the 2nd Bb, and the 1st would become Eb.

In this lesson, Robert will cover it all, the twin guitar part in the beginning, the main riffs, and the solo. We are going to walk through all of these riffs focusing more on Paul Stanley parts through a lot of it, but then we are going to do the solo, which of course is Ace Frehley.

Step 1: Harmony Solo

Step one to learning how to play Shout It Out Loud on guitar is to learn this main harmony solo that’s going on. Like I said we are only going to do one of the harmonies. So start on the 12th fret 2nd string and bend it up one full step, then bring it back down, bend it up again, and then bend it again both up and down and pull off to the 10th fret 2nd string.

Step 2: The Verse

For the next part we are going to go to a B5 power chord. Robert is playing the B5 by placing is pointer finger on the 5th string 2nd fret and his pinky finger on the 4th string 4th fret and strumming only those two strings, the 5th and 4th strings and let that chord ring out. You can also play the B5 on the 6th string 7th fret root, but Robert is using the 5th string 2nd fret root for this lesson. After the B5 you are going to go to D5, so just simply move up 3 frets on the same strings.

So now your pointer finger is on the 5th string 5th fret, and your pinky on the 4th string 7th fret, strumming only the 5th and 4th strings and just strum it once. Then you are going to go to an A5, which is just directly above. So move each finger up one string. Now your pointer finger is on the 6th string 5th fret and your pinky is on the 5th string 7th fret, again only strumming the strings that your fingers are holding down frets on, so the 6th and 5th strings now and play this chord twice. Then repeat the part where you play the D5 once and the A5 twice.

A quick recap, play B5 once, then go to D5 once, then to A5 twice, back to D5 once, back to A5 twice. Then repeat all of that! For another awesome classic song, check out our lesson how to play Stormbringer by Deep Purple.

Step 3: The Shuffle Riff With a Little Twist

This part is basically your standard shuffle riff, but they add a little bit of a twist to it. Starting with an open 4th string, and pointer holding down the 2nd fret on the 3rd string, so play those together at the same time twice, this is an open D5 power chord. Then to get that shuffle you are going to use your ring finger to grab that 4th fret 3rd string, play that one, then back to the open D5 three times, then back to the shuffle with your ring finger down on the 4th fret 3rd string.

During the shuffle we always play the open 4th string, whether our ringer is on the 3rd string 2nd fret or the 4th fret. Then repeat this going back and forth playing the open D5 three times and placing your ring finger down on the 4th fret 3rd string and strumming once to get that shuffle. Then go to an A5, which is an open 5th string with your pointer holding down the 4th string 2nd fret, and of course, strumming these two strings together at the same time. Play it once. Then switch the note you’re holding down on the 5th string from the 2nd fret to the 4th getting that shuffle note in. Then back to the open A5 three times, to the shuffle.

Then you suddenly move up another string, now playing the open E5. So now an open 6th string with your pointer finger holding down the 5th string 2nd fret. Strum this chord twice, only strumming the 6th and 5th strings, then grab that shuffle note, the 5th string 4th fret and strum it once with the open E on top, Then hammer on the 2nd fret to the 4th fret on the 6th string, and then hammer on the 2nd fret to the 4th fret on the 5th string. And that is the whole verse part! This riff with the riff from step 1 are both considered the verse and played back to back. Then it does that part again, and if you listen to the song, there are some slight variations, like the one Robert shows at 4:06 where you don’t go to the 6th string you just go the B5 and let it ring out, which takes us into the main riff.

Step 4: The Main Riff

The main riff starts with a barre. On the 5th fret use your pointer to barre the 4th string through the 2nd, so the 4th, 3rd, and 2nd strings all under your pointer finger. Then keep your barre but also place your middle finger down on the 5th fret and your ring finger on the 6th fret, making an E chord. So this riff is going B to E, B to E. So they keep bouncing between these two chords while following the vocal, “Shout it, shout it, shout it, out…” Then on the word loud, you move your barre from the 5th fret to the 3rd. So ending by barring the 3rd fret, 4th, 3rd, and 2nd strings all with your pointer and just playing that chord once. Then Paul does this little part where he makes an A major by placing his ring finger on the 7th fret 4th string, his middle finger on the 6th fret 3rd string, and his pointer barring the 5th fret on the 2nd and 1st strings. Pick it once and then slide it up two frets to a B and then pick it again on the B chord. For the B chord your ring finger is now on the 9th fret 4th string, your middle finger on the 8th fret 3rd string, and his pointer barring the 7th fret on the 2nd and 1st strings. That last little part that Paul does is almost like a fill or turn around to go back and repeat all the stuff before it, following the vocal, the B, E, B, E, B, E, B, A.

Step 5: The Solo

The solo starts off with a unison bend on the 13th fret 2nd strings and the 10th fret 1st string, bend the 13th fret and pick both the 2nd and 1st strings with your fingers on the frets we just said. Pick that unison bend twice, Then on the 13th fret 2nd string you are going to do these kind of stutter bends, he does four of them.

Then next part you can tell his guitar is doubled, but of course we are only playing one. Bend the 14th fret 2nd string up and down, then to the 2nd string 10th fret, back tot eh 14th fret, back to the 10th fret, all on the 2nd string. Then do this little run, use your pointer to play the 2nd fret 3rd string and slide down to the 1st fret, also on the 3rd string, then an open 6th string. Then 2nd fret slide up to the 4th fret on the 3rd string. And then grab the 5th fret 2nd string with your middle finger. Everything else was all your pointer finger. This is pretty loose so they could be hitting a bunch of open string, feel free to have fun with this one. After that lick go back to the unison bend on the 13th fret 2nd string and the 10th fret 1st string. Then on the 5th string hammer on the 12th fret to the 14th fret, then on the 4th string hammer on the 14th fret to the 16th fret. Then you have this little repeating lick that starts by bending the 14th fret 2nd string, bend it both up and down then pulling it off to the 12th fret, then to the 13th fret 3rd string, then back to 12 fret 2nd string and then do it again. And that’s the whole solo!

Recap: How to Play Shout It Out Loud on Guitar

I hope you enjoyed learning how to play Shout It Out Loud on guitar by KISS! What a fun song. From the first verse to the catchy chorus, to the awesome solo! This is a great song to learn if you feel like you’re kind of in a playing slump. It’s just such a fun, good spirited song with tons of cool riffs and licks and you will just have a lot of fun learning and playing this one. So be sure to pay attention to all the details, play everything slow first and master any tricky changes before speeding it up, and of course, as always, have fun!

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