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How To Play “Don’t Worry Be Happy” By Bobby McFerrin – Easy Acoustic Guitar Lesson w/ Sean Daniel

Hey, how’s it going this is Sean Daniel with Guitar Control today we’re giving you an extra dose of happiness which everybody needs, learning a super simple song called “Don’t Worry be Happy” by Bobby McFerrin. An absolute crowd-pleaser it’s going to take you less than 10 minutes to learn this song.

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Click on the Tabs button to follow the chords and tabs.

We’re going to play with a capo on the 4th fret, feel free to play it whatever key you want. But we’re just going to use three chords and the truth for 4 slots and G, A minor, C, and G, so the song is really easy to learn we’re going to talk a little bit about strumming it, to kind of give it that happy peppy step.

This works better if you sway back and forth, what I mean so you should know these chords right off the back three most popular chords in guitar history are you the G major chord metal finger on the 3rd fret relative to the capo low E-string, pointer finger 2nd fret on the A-string and then my ring finger and my pinky on the 3rd fret together. You need all three over or both of them or you could have just the high E- string but you know this is about being happy we’re getting all your fingers involve leaving no digit behind.

So let’s talk about how we’re going to strum this, first I think this is the happiest way you could possibly strum a chord especially when you’re really feeling it. What I mean in the root note 1st we’re going right from the lowest point of the chord, so we have the lower, high dynamic of life and happiness you can’t have the highs about the loads that’s the strumming pattern the root note and I’m aiming for just the top of the court when I say the top it’s the G, B and E-strings if I hit more of them great by hit Lots don’t worry about it I’m just separating the entire guitar chord into just the E-string the highest three strings so one, two, three, and four, end.

Now the three end of this four count this bar of G is going to be the lower three strings down and up just on the lower three strings and not all six right if you’re living like this that’s not happy that’s the sound of his sanity and you probably need to get your medication changed right so we have low high and lowest three strings down up and then on the for counter eating another down stroke of just the high strings again so low, high, low, low, high, and then if you want to get an upstroke at the end to that be a 1, 2, 3, and 4 count otherwise known in commoners terms as down, down, down, up, down, up, down, again so that’s going to be the vibe that we’re going to be use. We’re just going to do that with two other chords.

Next one is going to be A minor  same strumming pattern but now the root note in an A minor chord where we have open a middle finger to D ring finger to G pulling your finger 1B and open on the high string the runo’s going to be the A-string, so we’re going to aim for the A-string we go if you hit the low E-string an accident it’s not a big deal okay don’t worry about it once again do I have to even say it for aiming that rude no because eventually you want to be able to just hit exactly which ever no string you’re looking for without having to look at it right so hey the hi ever the board same thing is before down up on the lower part of the chord down upon the higher part and C chord again a lot of people place you like this ring finger 3rd fret of the A-string middle finger 2nd fret of the D-string pointer for your 1st fret then our root note is on the A-string.

I like playing it like this where I have my ring finger one string lower my pinky right behind it rude note is still in the same spot but again we’re getting all the fingers involved if we’re just having a party throwing a happiness party back to Z so there’s only three chords but there’s four spots, four chords okay every chord gets its own barre G, A minor, C and G.

Now when you’re counting it you might only want to play that G once but again remember 8 counts on that G if you cycle it so again G, A minor C, G, back in G and again. Sometimes it’s helpful to have some kind of mechanism in place to start it again what I mean by that is like I’ll do an example so we have G, A minor to C major, D major. You may have noticed at the end of that last bar of G I just said all down strokes this C right 2, 3, 4, 0, 2, 3, 4, back to G and because I made that dynamic of his G, 2, 3, 4, the next time around when I hit the root note on the G it seems it doesn’t seem like I’m doing the same thing instead of just like one more gone not lost alright that’s not the sound of happiness that’s the sound of the slow inevitable march to death you don’t want to have that you want to have a little bit of action we’re only here for a short time people that’s why I did a great decision by choosing the guitar control video with Sean Daniel to watch for non-palm muting about palm-muting just like in life is your muffling your happiness because you don’t want to be all over board telling people how happy you are there’s nothing more annoying than that way I’m doing that taking the side of my hand judo chop the bridge and that’s nothing to get good at is just angering you see like if you look at my wrist right when I’m doing this I’m locked in to the bridge here I’m not okay a lot more control you can do anything you want by having your you know your wrist lock in you do anything all you need to do is get this action down right here okay so yeah and you can do it muted for maybe like the verse everything is so applying low high down up down up low high down I’m down am a minor and see how much more reserve that is it’s like business casual happiness back to G and then one of your get home take off your shoes make it nice bath open it up okay so the last thing I want to talk about is how we numbered this chord progression again this is on a capo this is in the key of you know wherever we’re ending here which is a G this isn’t actually a G no this is the third far relative to the capo but this note right here is actually a B so we’re doing this in the key of B if we were to move the capo one front lower you’re doing even b-flat another one a so on so forth right until we’d eventually get to doing it in the key of G like this that’s why Capo’s are great because they can to help us transpose songs depending on where you want to sing you don’t advocate both don’t worry we can transpose this because all of this is really common chord progression it’s what’s called a 1 a 1 for the 2 to the 2 chord 4 chord 1 1 2 4 1 okay I got this was from the notes in the key of G right since this is G a minor C we can label this and communicate with other musicians because communication is a great way to keep the happiness falling right in the key of G we have seven notes one two three four five six seven eight the first note is a G that’s why it’s the one chord any one of these notes can become a chord one chord to the two chord a necklace we my of two chord is almost always minor any key one two three four C is the fourth note G ABC the four chord of C major back to G so that’s a one two four one the sound of a pure happiness all right now you don’t have a capo you could do it with different chords all right let’s guy what’s a one two four one let’s say maybe that’s uh I want to do a little bit higher let’s do in the key of a I have to do is find out what a is right you know a there’s one two and a was too note after a B minor what’s four and A one two three four D back so that’s how you can easily transpose even if you don’t have a capable to find whatever one is easiest for you to sing it okay so again make sure you click that link below because we have the chords of it all the lyrics and you know what make up your own lyrics because no one will know the difference as long as it’s not too dark so thanks for sticking with us thanks checking out the guitar control channel.

Make sure you subscribe on our You Tube Channel and we’ll see you in our next video lessons, thanks for watching.

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– Click here to get Sean Daniel’s Secrets of Hendrix: DECODED – GO!!

Easy Acoustic Guitar Lesson

“Roulette” By System Of A Down Played On Acoustic Guitar

picCheck out How To Play “Roulette” By System Of A Down – Easy Acoustic Guitar Lesson w/ Sean Daniel from Guitar Control. Step by step video instruction and the included song chart (just click the link) makes this an easy tune to get under your belt in record time. – Click here to get Sean Daniel’s Secrets of Hendrix: DECODED – GO!!

How To Play Someone You Loved By Lewis Capaldi

Check out this free lesson from Guitar Control instructor Darrin Goodman on how to play Someone You Loved By Lewis Capaldi. Be sure to get the free tabs that go along with this killer lesson.

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Introduction

Hey everybody how’s it going? This is Darrin Goodman with GuitarControl.com bringing you this video lesson. Today I want to show you how to play this finger style song for beginners. It’s Someone You Loved by Luis Capaldi, I guess I’m saying that right. 

Anyway this song is originally on piano, but I transposed it for guitar, it’s a great beginner song for getting into finger style playing. So be sure to click on the link in the description for the tabs and let’s get close up and take a look.

Someone You Loved Chords

Alright so first let’s take a look at the chords that we’re gonna be using for the first part of the song. So for the intro and the verse we have C; so I’m on the third fret of the fifth string with my third finger, second fret of the fourth string with my second finger, third string is open, first fret of the second string with my first finger and the first string is open.

And we have G; third fret of the sixth string with my second finger, second fret of the fifth string with my first finger, strings four and three are open and I’m on the third fret of the second string with my third finger and third fret of the first string with my fourth finger. Then A minor; fifth string is open, second fret of the fourth string with my second finger, second fret of the third string with third finger, first fret of the second string with first finger and first string is open.

Then we have F major seven; I’m on the third fret of the fourth string with my third finger, second fret of the third string with my second finger, 1st fret of the second string with my first finger and the first string is open. And then F major; so if you just take this F major 7 shape, but you just roll your first finger down so you’re barring the first fret of the 1st and the 2nd strings.

Intro & Verse

All right so the intro and the verse are the same thing. So for the intro we just play through this progression once. You start with C and we have a full measure of C and we’re playing this as eighth notes.

So my first finger is going to be on the 4th string, my second finger on the 3rd and my third finger on the second string and then my thumb will be playing the bass note on the fifth string. So you’re going to pluck strings 2, 3 and 4 together and then follow that with your thumb on the bass note, so it’s all eighth notes; so it’s two, three and four and now if you are new to a finger style playing what I always recommend is that you just rest your elbow just on the back bout here on the guitar and that way you can just bring your arm down and have your arm completely straight, you don’t want it all bent up like this and when I pluck these strings you don’t want to pull away like this, you want this motion like you’re pulling a trigger, you want to curl your fingers in towards the palm of your hand and then follow that with the down stroke on your thumb.

So for the first measure; one, two, three, four and this is relatively quick… but we’re gonna play it slow and you should work on it slow and then get it down to where you make the changes in time and then just gradually increase your speed. So one measure of C then we switch to G, so we’re gonna keep our fingers on the same strings, but we’re gonna move our thumb from playing the bass note on the fifth string to the sixth string and we do a full measure of this the same way. And A minor; so now our thumb goes back, we’re still on the same strings with our fingers but we’re our thumb is gonna go back to the fifth string for our bass note and three and four.

Then when we go to FM7 we’re gonna move everything on your picking hand; so now our thumb is playing the bass note on the fourth string, our first finger is playing the third string, second finger playing the second string and third finger playing the first string. Now on this it’s a little bit different, so we’re gonna one-and two-and three-and and then on four we’re gonna roll our finger up like we did earlier to make an F major, four, four and two and three and four. So that whole intro slowly…

Now it goes through that sequence like that for the intro and then when it goes to the verse it’s the same thing, but you do it four times. So after you do that one time through you just immediately start over again with the verse where the vocals come in four times. Now that leads us into the chorus.

Chorus

Now for the chorus it’s the same chords in the same order, except the last major is just all F major no F major seven, but now we’re gonna change how we’re doing it a little bit. So now we’re gonna go just straight up finger-picking; so we’re playing bass note with our thumb on the fifth string and that’s a quarter note, so it’s like 1 and then we put our first finger on the 3rd string, 2nd on the second string and 3rd on the 1st string, so it’s 1, 2 & 3 & 4. And then for the end of 4; it’s the 4th string, so there’s a couple of ways you can do this, you could 1 2 & 3 & 4 & and then play that 4th string with your thumb, but I tend to just because I’m coming back down I just use my first finger to get that string again but, that’s just a personal preference, it’s just the way that I play.

So we have that first measure C; 1 2 & 3 & 4 & and the next measure is go to G, so now it’s all eighth notes on this one, so thumb is playing the bass note on the 6th string, first finger on the fourth string, second finger on the third string, third finger on the second string, so one and two and. Now we shift up so our third finger is on the first string, second finger is on the 2nd string and 1st finger is on the 3rd string and three and four and then again go to the fourth string. I’m using my first finger, you can use your thumb, so one and two and three and four and then to A minor and we’re gonna do this one the exact same way that we did C; so thumbs on the fifth string, first finger on the third string, second finger on the second string and third finger on the first string, one, two and three and four and again you end with the fourth string.

Now we go to F and thumb is on the fourth string, first finger is on the third string, second finger is on the 2nd string and third finger is on the first string and now the picking patterns a little bit different. So calling off string names here we’re going 4, 3, 2, 3, one, two, three, four, one and two and three and four and, and that goes through twice, all right so that’s the chorus. Now at the end of the chorus you can see that it says at the top the musical direction for dal segno, if you don’t know musical direction that’s okay, we’re not going to get all into it right now but what that means is that you’re going to go back to the segno sign.

So if you look on your transcription you go back to the first verse at the very top of that there’s this kind of a fancy-looking S and that is the segno sign. So you’re going to play intro, verse, chorus, verse, chorus and then you move on. So the second time through you ignore that DS and then that leads us to the bridge.

Bridge

So for the bridge we’re adding in one new chord, D minor; so fourth string is open, second fret of the third string with my second finger, third fret of the second string with my third finger and first fret of the first string with my first finger. So this is also the straight-up finger picking; so this is picked the same way that F was on the chorus. So all eighth notes and we keep our fingers on the same strings; we just move our thumb from the fourth string to the third string and do the same thing.

Now we go to G again and our fingers stay on the same place and now our bass note is moving to the sixth string; so now we’re gonna go six three two three one three two three one and two and three and four and. And then on for the fourth measure we’re still on G for the first half of it we go 6 3 2 3 and then we switch back to A minor and we move our thumb from the 6th string to the 5th string and we go 5 3 2 3. So that last measure and then it just repeats and you go back and do the whole thing again. All right, so then that leads us into the final chorus.

Final Chorus

So for this final chorus we start off same chords, but it’s gonna be a little bit different. This time the first four measures of this we’re just going to C, G, A minor and F, but we’re going to just strum the chord as a whole note; so you’re like one two three four two three four two two three four, repeats one two three four and then back into the chorus before starting with C. And then we go to the we’re at the very last staff just like that.

Conclusion

All right, well I hope you enjoyed that and you got something out of it. Like I said this is aimed at you beginners, it’s just a good way to get work in that picking hand. Like I said it moves along fairly quickly. If you look the song up and listen to it and like I said it’s on the piano and it was transposed to guitar, but it’s in the same key, so if you’re in standard tuning you can play right along with it. Alright so if you liked the video give me a thumbs up and leave a comment down below if there’s something you’d like to see either myself or one of the other instructors at GuitarControl.com do in a future lesson. Anyway that’s all I got for you today, thanks for watching How To Play Someone You Loved By Lewis Capaldi and have a great day.

How To Play The Most Important Chord Shape On Guitar – Easy Guitar Lesson For Beginners

How To Play Stitches By Shawn Mendes

How To Play Natalie Imbruglia’s Torn – Acoustic Guitar Lesson Made Easy Way W/ Sean Daniel

Hey, how’s it going this is Shawn Daniel with Guitar Control, we’re learning a classic 90s rock song “Torn” by Natalie Imbruglia. A fantastic song with three different parts, a really great exercise and kind of finding your way around a Key, make sure to check the image above to follow the chords and tabs.

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Click on the Tabs button to follow chords and tabs.

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So we’re going to start on the 1 chord, F major bar 9th place bar chord. We’re actually going to play just the middle four strings if you hit that high E string as open as an F major 7 chord but we’ve got ring finger 3A pinky, 3D middle finger, 2G pointer finger, 1B. I’m going down, up, down, up, down, up, up, down, up, down. This is going to be our version of how the original is strummed with the rest of the band down, up, down, then down. I’m down, up, down, sometimes I add some to make a little livelier for a solo acoustic presentation but basically the verse is just going to be a key to a minor to B flat major. So we can number these because we learned those notes off as a 1, 3, 4, chord progression. The 1 chord F major down, up, down, up, down, up, up, down, up, down, again down, up, down, up, down, up, down, up, down, to A minor.

Pointer finger 1st fret of the B-string, ring finger 3rd fret 2nd fret of the G-string, middle finger 2nd fret of the D-string highest five strings down, up, down, up, down, up, down, up, down, up, down, up, down, up, down, up, down to B flat.

B flat is tough for a lot of people I see a lot of books teach it like this, where your pointer finger is the 1st fret in high string then you got the 3rd fret of the B-string, G-string, B-string, pinky, ring, and middle relatively. I’m not the biggest fan of this shape I think it’s kind of difficult for readers to do and you’re much better off taking the F major shape and isn’t moving it toward your pointer finger lines up with the 6th fret much easier because going back to F, anyways there’s the 1st fret because it’s where my pointer fingers lined up or where the root note will be in a bar chord F, B-flat as long as you don’t hit the low and high strings you can really just run this one shape from F to a B flat, so playing this way it’s F to A minor 1, 2, 3, 4, to a 4 chord, that’s how my thumb chilling here muting the low E string because that would sound better, my pointer finger making sure the high E string, I’m not hearing the lower of a high string.

F major, A minor, B flat, that’s going to be the entire verse. The next part is going to be the pre-chorus some people call it a bridge. I think if it’s a pre-chorus D minor, C, A minor, C, end of the chorus. So D minor, C , A minor C we can number those again remember what is D and F 1, 2, 3, 4, 5, 6, the 6 board to the 3/4 or the 6 part to the 5 chord to the 3/4 to the 5 chord when you can think of chord progressions as numbers makes everything super easy right F to A minor to B flat that’s  1, 3, 4, much easier to just kind of organize that stuff in my opinion D minor pointer finger 1st fret on the high E string pinky or ring finger on the 3rd fret of the B-string middle finger 2nd fret on the G-string.

Same strumming pattern to a C, pointer finger 1st fret of the B-string, you can play with your middle finger to D, ring finger 3a. I’m a big fan of playing it with your pinky 3a and your ring finger 3e. I just like that better sounds, a little fuller totally (optional) it’s up to you alright. So D minor 6 chord to the 5 chord to A minor which we already talked about was the 3 chord F, G, A and back to C, and then we go to the most common chord progressions in all of Western music history a 1, 5, 6, 4, chord progression.

Millions of songs are transposed to another key, even just like hearing it might make more sense if you did another key real just side note a one, five, six, four, in the key of C would sound like. My song familiar to some people but the point is a common chord progression that you should have under your belt and know how to navigate three different keys start on the one chord and the key of F which is the F to C, easy transition what’s the 6th chord in the key of F, D, D minor to B flat, back to F. So this is the chords of the song, that’s up to speed now this is one example of this B flat, could be better if you want to keep everything in the same ballpark.

That’s why it’s great to know different chord progressions for different things but in my opinion this B flat is a lot easier and will make the sound really good. Totally it’s up to you, I’m not going force you to do anything you don’t want, and we’re just trying to play some Natalie Imbruglia songs.

Here’s a recap, three parts the 1st part is F with the strumming power we’re going to go through the chords out the strumming, early half to A minor to B flat. Remember that’s 1, 3, 4, and when you know the numbers you can easily transpose these to other keys that might fit your singing voice or your singers singing voice better.

After that we have a 6 to a 5, to a 3, to a 2, to a 5, to a 2, to a 1, to a 5, to a 6, to a 4, and that’s it, that’s the whole thing. Make sure to subscribe on our You Tube Channel and we’ll see you in our next video lessons, thanks for watching.

– Click here to get Sean Daniel’s Secrets of Hendrix: DECODED – GO!!

Circles Post Malone

How To Play Circles By Post Malone | With Tabs and Video | Easy Acoustic Guitar Lesson

Check out this free Circles By Post Malone Easy Acoustic Guitar Lesson. With the variety of chords in this one, it makes it a great lesson for players of all skill levels and with an easy to follow chord chart you’re sure to get this Easy Acoustic Guitar Lesson under your belt in record time.

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Introduction

Click on the Tabs button to follow the chords and tabs for Circles By Post Malone Easy Acoustic Guitar Lesson.

It’s four chords on a loop for this Easy Acoustic Guitar Lesson, but there are actually variations of those chords that we can do to make it sound more like the song and have a cool, chill acoustic guitar version and we’re going to talk about some easy ways to do it and ways to kind of incorporate that cool baseline into this Circles By Post Malone Easy Acoustic Guitar Lesson.

Circles Chords

First things first, the chords for this Easy Acoustic Guitar Lesson are C major to a C major 7, to F major, to F minor, we’ll go over those chords in more detail in a second, that’s it C, C major 7, F, F minor. Not too bad right 1, 2, 3, 4, 4, count. Each one gets its own bar and we’re going to start by playing a C major with variations but basically I got my ring finger on the 3rd fret of the low E-string, pinky on the CMA-string 3rd fret of A-string, middle finger is on the 2nd fret of the D-string, the G-string is open, pointer finger on the 1st fret of the B-string.

To get that kind of choked staccato type sound for Circles By Post Malone, what I’m doing is, I down strum, taking my fretting hand and releasing the pressure. If I keep the pressure down that will be fine, but it’s not really like the song and I would recommend starting the choked and get the chords of the Easy Acoustic Guitar Lesson.

You must have somewhere to go otherwise, it’s going to sound the same, and the whole time you want to make it a little bit of a dynamic performance out of this Easy Acoustic Guitar Lesson. It’s the coordination between your fretting hand, your strumming in down, down, down, that’s how I’m playing it. The count is how you want to internalize it but I think its most like the song in that pattern, you’ll notice after that 1st bar the next count is taking my pointer finger off to make it a C major 7 that’s the easiest way to make a C major 7.

Any time you had a B note to a C chord you get a C major 7 and we’re going to get the F major chord to the F minor chord. I’m playing this as a barre chord, 1st we switch it to the non-bar chord version in a second but again by the 1st fret 3rd fret on the A-string, ring finger 3rd fret on the D-string, pinky middle finger to G, same thing as four and then we’re going to make an F minor. You’ll notice that the only thing that changes is your middle finger on the 2nd fret and ends up becoming your pointer finger on the 1st fret.

We’re flattening what’s called the 3rd of the F major chord and then getting the last spot of the 4th bar on the progression. Notice that I’m using my middle finger to abandon and pulling out my pointer finger to give myself some extra power to really get that G-string note, G# in there or A flat to ring out because that’s the hardest part doing a E-string with a barre chord on the 1st fret is getting that kind of sound, but not necessary as we’re going to showcase in just a second so you can play the whole song in this C major 7 same strumming pattern F minor.

That really cool bass line I think is something that we can pretty simply incorporate into the Circles By Post Malone Easy Acoustic Guitar Lesson chord progression. So far we’ve got this notes of our 3a which is a C note the root note of the C chord C, C, open D, back to C, same as 3, 3, 5, 3, and if you’re playing the bass along with the song you just go 3, 3, 5, 3, 2, 2, 2, 2, 2.

Now what is that note that 2nd fret of the A-string A, A sharp B, it’s a B. Like I said before when you add a B to a C chord you get a B or C major 7 chord. The reason is because B is a 7th note in the key of C, C, D, E, F, G, A, B. Now we can play any variation, the first C major 7 we did was by opening up the B-string by taking out pointer finger off which is kind of like a very pretty acoustic strumming way to play that Easy Acoustic Guitar Lesson.

Another way we can play a B with the C major chord is taking the root note, making your middle finger that guy right there. Now I have my middle finger to A, my ring finger is onto D, G is still open, our C note is now coming from the 1st fret on the B-string, and then open E. It has a little bit of a different feel especially if you can palm mute it In the F bar of this Easy Acoustic Guitar Lesson.

A lot of these are just different variations and options that you can do in this Easy Acoustic Guitar Lesson to get it to sound more like a combination between what the guitars are doing and what the base are doing. Now let’s talk about the F portion of the progression. So far basically, the back after the progression we have F major to F minor once again sometimes the easiest that has been done specifically on an acoustic guitar with thicker strings where the tension is always the highest to closest to the nut. That 1st fret is really hard to barre a lot of times, so one way to get around is to play this F chord like that 1st C major chord that we did. Keeping your pointer finger right there, moving everything else down A-string, now the middle four strings are 3A, 3D, 2G, 1B, which is the as before a barre chord.

Remember we have to change 2 to 1 so what we can do is focus on the A, D, and G-strings to get 3, 3, and 1/2 major F minor doesn’t really sound as good I think as a full barre chord but it’ll work and a pinch. Another thing that you can do for this Circles By Post Malone Easy Acoustic Guitar Lesson is kind of like a mini bar chord whereas 3A, 3D, kind of like a half bar.

We’re getting the 1st round of this Easy Acoustic Guitar Lesson, the G, and the B-string, just like that highest three strings. That’s another way you can play an F major 7, if you want to do an easier F major chord like just 3D, 2G, 1b again doesn’t totally sound exactly like the song but it’s just a different way to introduce yourself fuller barre chords. We’ve got a four count on C, if you’re having trouble with the strumming let’s do all down strokes for this down, down, down, down, down, down, down, down, and I’m going to palm mute this to make it a little easier to hear or taking the side of my hand and hitting the bridge down, down, down, down, down, down, down, down. Notice that time I use the lower beat down, down, down, down, F minor, non power chord way down, down, down, down, down, down, down, down, down, down, down, down, down, down, down, down. The rhythm is really important for this Easy Acoustic Guitar Lesson.

I want you to accompany yourself to do it, like your basic down to reemployment 1, 2, 3, and 4, and 1, 2, 3, and 4, that’s totally fine. I’m just a huge proponent learning as many songs as you can try and different things out, but I think this is a really great opportunity to try to incorporate a little bit more of the elements that make this Easy Acoustic Guitar Lesson on Circles by Post Malone so cool and catchy.

Then get those bass notes in and there’s the bridge for Circles By Post Malone, the chords are the same for the bridge but really just let it ring out C, C major 7, half F minor, however if you want to play it and resolve it on C . The last thing I want to talk about this progression is how we number it really this is just a one chord to a four chord all that means is in the key of C. We have C, the notes, and the c, d, e, f, g, a, b, like to talk about B being the 7th and the 4th note in the key of c, c, d, e, f, is f that is where the F major chord comes from so it is a one core to 1/4 this made yourself to a 4 chord to a minor four chord that’s how we’re going to communicate this and then back to C.

Hopefully you enjoyed Circles By Post Malone Easy Acoustic Guitar Lesson and you understood everything keep on rocking. Make sure to subscribe on our You Tube Channel and we’ll see you in our next video lessons, thanks for watching Circles By Post Malone Easy Acoustic Guitar Lesson.

– Click here to get Sean Daniel’s Secrets of Hendrix: DECODED – GO!!

Wicked Game By Chris Isaak | Easy Acoustic Guitar Lesson | Tabs

Hey, how’s it going Sean Daniel here with Guitar Control, Today we’re playing “Wicked Games” by Chris Isaak. We’re going to do a way that we can kind of incorporate the melody into the acoustic guitar part, so make sure you click the link below, because we’re going to have the chords for it.

Really easy, actually. It’s only three chords, but we can start incorporating the melody, so if you just want to strum it, we can do that, and have it sound like this. You can pretty much sing the entire song just with these three chords. Then you could have that. Or, we can start adding the melody, like…

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Click on the Tabs button to follow the chords and tabs.

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So, it’s super easy. Chords are simple. It’s fun to play. People have a reaction to this melody, that takes them to a totally different, hotter, black and white place. Starts with B minor, we don’t have to play this as a barre chord. You’re going to need to to play the melody, but if we just want to play it as B minor, A, E, you can start this, pointer finger two on the A-string. Now, if you don’t want to play the barre chord, that’s all you need with your pointer finger. Two A with your pointer finger, ring finger four D, pinky four G, middle finger three B. You can strum the middle four strings, and maybe not hearing anything from the high E-string, or barre it to get that 2nd fret of the high E-string to ring out. The 1st note of our melody, when we get there, but we just play the B minor like that.

You can scoot this really quickly and easily to an A major, by going down to the 2nd fret on the D, G, and B-strings, open A. You can raise the barre to get that high E-string to ring out if you’re crazy, or you’re not even worry about the high E-string, and then go to E major. This is our 3rd chord, I’m kind of going through the chords quickly. Then we’re going to talk about the strumming pattern. Then we’re going to add the melody, that open E major chord is middle finger 2nd fret on the A-string, ring finger 2nd fret of the D string, pointer finger 1st fret on the G-string.

Now, if we want to do it super basic and simple, all down strokes, 1, 2, 3, 4, 1, 2, 3, 4, A, 2, 3, 4, 1, 2, 3, 4, E, 2, 3, 4, 1, 2, 3, 4, another time around on that E, 1, 2, 3, 4, 1, 2, 3, 4. If we’re counting it like this, two bars of B minor and A and then four bars of E.

Now, you can totally play it like a little crazier, and the first thing you could add is that part with that E major. Maybe, if you’ve never tried playing melody notes on top of chords before, this is a really cool place to start, because all we’re doing is we’re taking an E major chord, that 1st fret on the G-string, the melody that we’re going to add is one, two, four, okay?

Now, we can pretty easily add that over an E major. The first thing that you could do is just put your pointer finger on the 2nd fret of the G-string, turning it from an E major chord to an E suspended 4 chord is the name of that chord. Every time you change a note in a chord, it probably changes names, but don’t worry so much about the name of it, even though it is an E sus 4, if you ever come across it on a chord chart or anything like that. Worry more about what that melody is doing. It’s leading us to the 4th fret. Now, the cool thing about this, once we’re here, you can bring it into B minor position, but just have it be 2A, 2D, and 4G. So now we kind of have this… This is actually technically an E power chord, playing it like this (singing). B minor, to A major, to E major. Kind of a slick move, and it sets you up for that B minor again, and then back home.

Now, if we want to add the entire melody, let’s talk about it. We can start with the B minor power chord. We’re going the high E-string to where your middle finger is on the B-string (singing), getting your pinky involved on the 5th fret of the B-string. You can do the same thing. You could open it with your hand like that, getting an open E-string. I think it’s better to add the pinky there, and go to middle finger five to three, so I’m getting the low part of the chord, and then I’m getting the melody there.

I’m raking the chord until I get to the B-string. I’m stopping there. That way, I’m hearing this note, that E note, in the chord, on top, okay? So, B, melody, B, melody, stopping on there again, and then going to the A major chord, because the next two notes of the melody are 2B, open B, C# to B (singing). That sounds really great on top of that A major chord, which we started earlier, all right?

So we’ve got B, E major, and then that slick move back to B, okay? This is a very interesting way that you can start incorporating melody into your chords, and again, you can start it… The cool thing about having a song on a loop for the entirety of the song is that it gives you time to practice different techniques while you’re going through the song. A lot of times, you might just get bored being like, “All right, B, A…” It’s like, “All right, I’m just playing this, whatever.” B… There’s no dynamic to it, right? So, if you’re bored, the listener, the audience, is going to be easily as bored, but maybe if you start with it muted, like… to an A, to that E. Now you can kind of take that chord progression somewhere else. Okay?

So there’s a lot of different things that we did there. We started out by just playing the power chords, which is just a two note chord. For the B minor part, it’s easy. It’s just two A and four D. Now, I said before, it’s in 4/4 timing, 1, 2, 3, 4, 1, 2, 3, 4, but one way to kind of mess with the rhythm is maybe to count it, instead of a 4 count or an 8 count, one, two, three, one, two, three, one, two. I’m just doing a muted power chord, where I’ve got my palm in the bridge 1, 2, 3, 1, 2, 3, 1, 2, A, 2, 3, 1, 2, 3, 1, 2, E, and then again on E. That really kind of breaks off from that verse, really brings a dynamic into it.

Now, slowly but surely, you can start to play more of the chord, in the same rhythm if you want. You could add the melody. We could start with A… Then by the end of it, you’re kind of getting the whole thing, of… Then it makes a bigger impact when you go back down. We don’t need to spend 20 minutes on this lesson. I think it’s really just kind of all right, we’ve got the chords. I see that within these chords, built inside the chord, is really most of the melody. The only place I have to reach to find a note for the melody that isn’t in that chord is when I’m adding my pinky or opening up the E-string to get the… Otherwise, all the other notes in the melody are inside that B minor chord. Same thing with the A, unless you open it up to make a suspended chord, and then to an E, E suspended 4, and then again, we’re grabbing that note, to kind of make just a different voicing of an E power chord.

I think this is something that you want to be thoughtful about, is where these melody notes are coming. They’re always going to be either in the chord or very near to the chord, no matter what kind of voicing, what kind of inversion that you’re playing. Really, if you find yourself in a song that is just a loop over and over again, and you’re mindlessly playing it, never be mindlessly playing. Always try to reach for maybe where a melodic note is, because a lot of times, you’ll plateau if you’re just kind of playing the same stuff over and over again, and you’re not really exploring the fret board, so I think that this is a great example of just doing a little bit of fret board exploration to open up basically all the stuff that you’re playing in a really easy-to-hear way, that is melody everybody knows, you’ve heard a million times, it’s great. Chris Isaak gives you street creds.

Thank you for watching this video. If you have any questions or comments, hit us up in the comment section. Anything else you want to see, let us know, because we’re always looking for your feedback, and then after that, check out the other videos on the Guitar Control channel, by myself and other great instructors. Make sure to subscribe on our You Tube Channel and we’ll see you in our next video lessons, thanks for watching.

– Click here to get Sean Daniel’s Secrets of Hendrix: DECODED – GO!!

How To Play Into The West By Annie Lennox – Easy Acoustic Guitar Lesson

Hey, how’s it going this is Darrin Goodman with Guitar Control, I want to show you how to play a guitar arrangement for the song  “Into the West” by Annie Lennox. This is off the soundtrack from the Lord of the Rings; anyway it’s a really easy finger pinking arrangement for a great beginner finger picking songs.

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Click on the Tabs button to follow the chords and tabs.

We’re just going to take this in into a couple of sections, for this first part of the chords we’ve got our C on the 3rd fret of the 5th string with my third finger 2nd fret of the 4th string with my second finger, 3rd string is open 1st fret of the 2nd string with my first finger in the 1st string is open that’s C and then we have G 3rd fret of the 6th string with my second finger 2nd fret of the 5th string with my first finger strings 4 and 3 are open and 3rd fret of the 2nd string with my third finger and 3rd fret of the 1st string with my fourth finger and then D minor 4th string is open 2nd fret of the 3rd string with my second finger 3rd fret of the 2nd string with my third finger and 1st fret of the 1st string with my first finger and then A minor 5th string is open 2nd fret of the 4th string with my second finger 2nd fret of the 3rd string with my third finger 1st fret of the 2nd string with my first finger and 1st string is open.

The finger picking pattern we’re going to be using here is P- I- M- I- A- I- M- I, so on C my thumb is playing the 5th string my first finger is playing the 4th string second finger is playing the third finger is playing the 2nd, so it’s like thumb 1st, 2nd, 1st, 3rd, 1st, 2nd, 1st, and we do this sequence once for each chord in this progression. So the first one is C and then 2 G, so when we switch to G we move our thumb from playing the 5th string bass note to the 6th string but our other fingers stay in the same place so it’s the same pattern, now it’s a D minor so when we transition from G to D minor your third finger is already on the correct note so it’s an easy change you just move your five and six your second finger being on the 2nd fret of the 3rd string and your first finger on the 1st fret of the 1st string.

Now on your right hand we’re going to move up your thumb is playing the 4th string your first finger is playing the 3rd string your second finger is playing the 2nd string and your third finger is playing the 1st string same picking pattern now we switch to an A minor and we just move our right hand your picking hand so instead of being on strings four 3, 2 and 1, we move it down, so now we’re on 5, 4, 3, and 2, and then the whole thing simply starts over again so you know I don’t know if you’d want to call this the verse this song doesn’t necessarily have like you know verse chorus kind of a thing so we got this first part on C G D minor A minor start over again it does this four times

From there we go into this next part we start off with A minor to C to F, for F we’re going to barre your first finger across the 1st fret of the 1st and 2nd string your second finger will go to the 2nd fret of the 3rd string and your third finger to the 3rd fret of the 4th string and now we’re playing strings 4, 3, 2, and 1, whose same picking pattern, G, now this time when we switch to G we can keep our first three fingers on the 1st three strings and then just switch the base note to the 6th string to A minor back to C again F again G back to A minor, C, F, G, on this part here this is like the closest thing to a chorus I guess you could think is in the song we’re on C and we just do the same thing that we did before when we played C but we play it twice to F, twice back to C, twice G Twice back to C again F, C, G.

On this next section here I guess you could kind of call it like a bridge A minor to E minor, so E minor 6th string is open 2nd fret of the 5th string with your second finger 2nd fret of the 4th string with your third finger and the rest of the strings are open. So when we’re doing transferring transitioning from A minor to E minor we’re playing our thumbs playing five first fingers playing fourth second fingers playing three in third fingers point to E minor, we keep our fingers where they are and just move our thumb to the 6th string D minor G. Again on this one when we’re doing the D minor we’re on strings 4, 3, 2, and 1, so I switch to G we need to simply move our thumb and play the six and then keep our fingers on the 1st three strings or you can move them up to play strings 4, 3, and 2, either way is fine so that part A minor, G, E minor, D minor, G, A minor, C, F, G and then the whole song just starts over it goes back to the beginning part which like if you want to call that like the verse A minor just like that.

So I hope you enjoyed that if you got something out of this lesson you know give me a thumbs up leave a comment down below let me know what you think. Make sure to subscribe on our You Tube Channel and we’ll see you in our next video lessons, thanks for watching.

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